Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Bonnie & Clyde (180 gram pressing)

LP (Item 910592) Fontana (France), 1968 — Condition: New Copy
(reissue)

An incredible collaboration between Serge Gainsbourg and Brigitte Bardot – one of Serge's first duet albums ever – and a gem all the way through! In the year before he cut "Je T'aime Moi Non Plus" with Jane Birkin, Serge recorded this great album with Brigitte Bardot in which he worked out many of the same ideas. The album is probably best known for the track "Bonnie & Clyde" – which has been sampled to great fame over the years – but there's loads of other great tracks on here, with a mix of styles that joins Serge's jazzy years with his softcore 70s work – very cool, very groovy, and years ahead of its time. Some tracks are duets, and some are sung individually by Serge or Brigitte, but they're all great, and titles include "Intoxicated Man", "L'eau A La Bouche", "Un Jour Comme Un Autre", "Comic Strip", and more! Arrangements by Alain Gourager, Michel Colombier, and Claude Bolling – and the cover's got a great shot of Serge & BB as Bonnie & Clyde!  © 1996-2020, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


Pierre Vassiliu

Pierre Vassiliu En Voyages
Born Bad (France), 1970s/1980s. New Copy
A really great selection of work from a French singer with a wide and interesting resume – one that definitely warrants the voyages mentioned in the title! Pierre Vassiliu is maybe best known to our ears as a member of Les Masques – that groovy French vocal group who cut a great bossa ... LP, Vinyl record album
Parlophone, 1971. New Copy (reissue)
One of the coolest albums ever from Francoise Hardy – a set that has her working with Brazilian arranger Tuca, who brings a very different vibe to her music – a mode that wraps together acoustic guitar, post-bossa arrangements, and some dark-tinged vocals from Francoise – all in a ... LP, Vinyl record album
Finders Keepers (UK), 1972. New Copy Gatefold
A baroque instrumental masterpiece from Jean Claude Vannier – Serge Gainsbourg's right hand man at the start of the 70s, and a key figure in the legendary Histoire De Melody Nelson album! The feel here is very much along the lines of work that Serge was doing at the time – larger ... LP, Vinyl record album
Bongo Joe (UK), 1970s. New Copy
Amazing sounds from a scene we're just beginning to know – the sega music of the islands Mauritius, Seychelles and Reunion Island – all located in a very unique cultural cross-current in the Indian Ocean! The music here is often relatively spare and rootsy – guitars that are ... LP, Vinyl record album
Blue Note, 1970. New Copy 2LP (reissue)
A lost jazz-funk gem – originally recorded at Club Mozambique in Detroit in 1970, but not issued by Blue Note until the mid 90s! The set's right up there with Lonnie's classic Move Your Hand live set – as the tracks are long, free, and very funky, performed by a hip group that includes ... LP, Vinyl record album

Sun Ra

Sun Embassy
Roaratorio, 1968/1969. New Copy
Rare late 60s material from the Sun Ra Arkestra – all recorded at their home turf in Philly at the time – in the very comfortable setting of the Sun Studios! The music here is really beautiful – different than some of the more freewheeling live performances of the period, and ... LP, Vinyl record album
Four Flies (Italy), 1972. New Copy
This Godfather's got a mighty long arm – and a mighty groovy sound, too – one that includes some great leaping rhythms bubbling up with basslines, and plenty of fantastic vocals from both Edda Ell'Orso and I Cantori Modern! Edda sings in that wordless breezy style she brought to some ... LP, Vinyl record album
Blue Note, 1961. New Copy Gatefold (reissue)
One of the all-time great tenor/organ sessions on Blue Note – totally fierce, with a sound that's a lot rawer than most other work on the label! The incredible Baby Face Willette grooves it hard and heavy on Hammond – working in a quartet that includes Fred Jackson on tenor, Grant ... LP, Vinyl record album

Evan Parker/Barry Guy/Paul Lytton

Concert In Vilnius
No Business (Lithuania), 2019. New Copy
This longstanding trio of musical partners really sounds wonderful here – attuned to the strengths and subtleties of each member – and able to open up with a beautiful sense of flow on the extended live improvisation on the set! All three musicians have always had as much of an ear for ... LP, Vinyl record album

Pandit Kanwar Sain Trikha

Three Sitar Pieces
Mushroom/Manufactured, 1970. New Copy (reissue)
Three sitar pieces from Pandit Kanwar Sain Trikha – all recorded in London at the staret of the 70s, and with a vibe that's every bit as trippy as the cover! Two of the album's tracks are especially long – and really have this open, free-flowing energy – more than meditative, as ... LP, Vinyl record album

Giuliano Sorgini

Un Urlo Dalle Tenebre
Digitmovies/Sonor (Italy), 1975. New Copy (reissue)
Very cool sounds from this Richard Conte exorcist film from the mid 70s – a movie that was also known as Naked Exorcism in some corners of the world – and which gets a soundtrack that's every bit as creepy as its title! The music is heavy on organ at times – used in a moody way ... LP, Vinyl record album

Narassa (Sandro Brugnolini)/Zanagoria (Giorgio Carnini)

UST 7011 – Popfolkmusic (180 gram pressing)
Fonit Cetra/Sonor (Italy), 1973. New Copy (reissue)
A split set of sound library instrumentals – recorded by two more famous artists, each working here under a pseudonym! Narassa is Sandro Brugnolini – an artist you might know for darker, moodier music on other records – but who turns in some very cool tracks on side one – ... LP, Vinyl record album
 



⇑ Top