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Soulful Sunday – Live At The Left Bank (180 gram pressing)

LP (Item 910157) Reel To Real, 1972 — Condition: Near Mint-
Also available
Etta Jones — Soulful Sunday – Live At The Left Bank ... CD 16.99

A very soulful setting from singer Etta Jones – who really opens up here in a concert done for the Left Bank jazz society in Baltimore! The performance is from 1972, and really has Jones sounding a bit different than on her 60s material for Prestige – partly because backings are by the fantastically hip trio of pianist Cedar Walton – with the leader on piano, Sam Jones on bass, and Billy Higgins on drums – a group that also stretches out on their own at the start of the record, for a fantastic 10 minute reading of "Love Story"! Walton's lyrically modern style is a nice contrast to some of the bluesier pianists who sometimes back Jones up – and there's a sophisticated swing to most numbers, which include "Love Nest", "For All We Know", "Sunday", "If You Could See Me Now", "This Girl's In Love With You", and "You Better Go Now".  © 1996-2019, Dusty Groove, Inc.
(Limited edition #1041/2000.)

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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