Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Right On Time

CD (Item 908201) Posi tone, 2019 — Condition: New Copy
$11.99 ...

CD

List Price: 15.98

This might be the first time we've ever heard tenorist Ken Fower with a Hammond organ in the mix – and it makes for a great change that really opens up the colors in his horn! Ken's always had a strong sense of tone, and we love his acoustic records – but this time around, Brian Charette handles the Hammond with a very groovy vibe – one that takes Ken back into 60s soul jazz territory, yet without any copycat cliche modes at all – kind of a sweet blend of Fowser's strong sense of writing and rhythm, just given a nice kick by the organ, which also handles the basslines too. The rest of the group is great as well – with Joe Magnarelli on trumpet, Steve Davis on trombone, Ed Cherry on guitar, and Willie Jones III on some nicely snapping drums. Titles include "No Filter", "On My Way", "Stand Clear Of The Closing Doors", "Samba For Joe Bim", "Knights Of The Round", "Fowser Time", and "Don't Let Life Pass You By".  © 1996-2020, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


Ken Fowser

Morning Light
Posi tone, 2020. New Copy
A brilliant record from tenorist Ken Fowser – a player who seems to grab our attention more and more with each new record – both as a soloist and as a rock-solid leader who always brings something special to a session! Ken dedicates this record to the inspiration of pianist Harold ... CD

Idle Hands

Solid Moments
Posi tone, 2020. New Copy
A more than solid septet featuring an all star roster – Will Bernard on guitar, Behn Gillece on vibes, Sam Dillon on tenor sax, Art Hirahara piano, Boris Kozlov on bass & Donald Edwards drums – it's an unshakably strong showpiece for the players, producer Marc Free and the ... CD

Theo Hill

Reality Check
Posi tone, 2020. New Copy
We really love the music of Theo Hill more and more with each new record – and here, the pianist is working in a quartet with Joel Ross on vibe – a player who makes a perfect partner for his music! Both Hill and Ross have this open sense of sound and timing – often using the ... CD

Michael Dease

Never More Here
Posi tone, 2019. New Copy
Michael Dease is as great a writer as he is a trombonist – which is to say a heck of a lot – but this time around, he opens the door to a wider range of jazz history – by offering up his own arrangements of tunes by Jimmy Heath, Jackie McClean, JJ Johnson, Eric Alexander, and ... CD

Brian Charrette

Good Tipper
Posi tone, 2014. New Copy
Great Hammond work from Brian Charette – served up in a style that's a bit different than most contemporary organ jazz sessions! The tracks here are sometimes short – like the old soul jazz organ singles back in the 60s – and Charette mixes things up nicely with a few great ... CD

Ed Cherry

Soul Tree
Posi tone, 2016. New Copy
A killer guitar and Hammond session with a really sublime sort of sound – a groove that's wonderfully free of cliche – and which has an open, spacious quality that few artists can match! Given the instrumentation, the album's steeped in tradition, but never tries to just rehash an ... CD

Diego Rivera

Connections
Posi tone, 2019. New Copy
A corker of a set from tenorist Diego Rivera – a player who's been around for a bit, but who really seems to find his groove in this Posi-Tone setting! The album's got Diego working with some great labelmates – including trombonist Michael Dease on all cuts, a name that's worth us ... CD

Out To Dinner (Michael Dease, Behn Gillece, & Others)

Different Flavors
Posi tone, 2019. New Copy
A fantastic all-star group of players who've recorded separately for the Posi-Tone label – coming together here with a very fresh sound! You'll definitely recognize a few names in the quintet – which features Michael Dease on trombone, Behn Gillece on vibes, Tim Green on alto, Boris ... CD

Doug Webb

Bright Side
Posi tone, 2016. New Copy
Doug Webb's a tenorist we're really growing to love and love more with each new record – a player who can come on with a bold, soulful punch at some moments – then carve these fluid lines at others, which he does wonderfully here alongside the organ of Brian Charette and guitar of Ed ... CD

Sam Dillon

Force Field
Posi tone, 2019. New Copy
A smoking little set from tenorist Sam Dillon – a musician who's really coming into his own as a leader, after a number of years working in the ensembles of others! Sam's got this nice bite on his reed – which makes for a sharp tone on the numbers here that feature just a quartet, and ... CD
Strata East, 1968. New Copy
The first moment of genius from trumpeter Charles Tolliver – a set that wasn't originally issued on the Strata East label, but which really set the tone for all the genius to follow on Tolliver's label! At the time of the record, Charles was part of a whole new generation of hardboppers who ... CD

Dopolarians

Garden Party
Mahakala, 2019. New Copy
A beautiful meeting of generations – from a group that features William Parker on bass, Alvin Fiedler on percussion, and Kidd Jordan on tenor – alongside Chris Parker on piano, Chad Fowler on alto and saxello, and Kelly Hurt on a bit of occasional voice! At times, the style is very ... CD
 



⇑ Top