This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
One of the coolest, grooviest settings for the Hammond of Mike LeDonne that we've heard in years – a set that mostly features him working with a larger ensemble, at a level that brings back some of the great 60s sessions from Jimmy Smith and Oliver Nelson! Yet given Mike's touch on the keys, ... CD
An intense album of spiritual jazz tracks – played by Lon Moshe and the Southern Freedom Arkestra – maybe one of the only albums we've ever seen by this lesser-known vibist! The album was recorded in 1976, during the height of the Black Fire DC underground scene – and Moshe's ... CD
One of George Duke's best albums for the MPS label – and a set that has a sound that's a little bit more soul than before! The album uses a fair bit of vocals alongside Duke's funky keyboards – but in a way that's not nearly as smooth as some of his albums for Epic, and which still ... CD
The hot and funky Johnny Lewis Quartet recorded this massive slab of jazz in the early 70's, when the group's lineup consisted of organ, tenor, guitar, and very very hot drums. The LP contains some excellent covers of "Cissy Strut", "Blue Funk", and "Chitlins Con ... CD
A great 2CD set – one that contains every track Lester recorded for Aladdin – including the rare 1942 trio session with Nat Cole and a 1946 date Helen Humes. This version also includes 8 bonus tracks recorded for Norgran in 1946 with Nat King Cole and Buddy Rich. 48 tracks in all! CD
A seminal statement from drummer Jack DeJohnette – a musician who'd already made a pretty big impact in the years before this set – but who really seemed to take off with his New Directions group on ECM! Every player in the lineup is a key sonic pioneer on their instrument – John ... CD
Easily the crowning moment of genius for the legendary Dave Brubeck Quartet – the moment when all things came together magically, and the group somehow elevated themselves to a whole new level in jazz! At the time of the set, Brubeck, Paul Desmond, and the rest had already been making plenty ... CD
Brilliant work – John Coltrane really opening up in his new spiritual mode of the 60s, hinting at the changes to come, while still keeping the modal groove of previous recordings! The record features tracks from a few different sessions from the years 1961 to 1963, but it holds together ... CD
A real breakout set from the young Joshua Redman – the kind of record that made some mighty big ripples in the jazz world at the time – and which ended up in more record collections than we can count – and for good reason, too! The group's a rock-solid quartet – with Redman ... CD
The first of a pair of cool records Graham (or Grahame) Bond recorded in LA in the late 60s – a strange, moody and somewhat raw vibe permeating it – whether by design, or due to the fact that Bond plays most of thethe instruments himself! The organ jazzy vibe of earlier work is in the ... CD