This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible. All of our Used CDs are guaranteed to play
without skipping or flaws. If you purchase a Used CD from Dusty Groove,
you have 1 week to play it to determine that it plays correctly — and if it does not,
then you may return it for a full refund.
With our Used CDs, you can expect the disc to be free of all but the lightest of
surface marks — clean, and not dirty at all. You can also expect the case to be
clean (we often change the cases ourselves — putting fresh cases on Used CDs we
handle) — and you can expect the booklet to be in good shape, unless noted
otherwise. We will list any specific details/defects underneath the item — so
look for notes on cutout marks in the case, stamps on the barcode, or details like that.
A basketball soundtrack – but one that features a great array of cuts from the American soul underground! We're used to b-ball scores that are filled with hip hop tracks and beats, but this one's put together by the folks at Purpose Records, and features work by their own artists Monet, ... CD
A real shift in style for Amel Larrieux – but a great one too! As hinted at in the title, the tracks here are all standards from the American songbook of the 20th century – older tunes made famous many years back, but given new life and a new sense of soul through Amel's wonderful ... CD
You just have to love that one breath of fresh air on the pop charts at any given point – and John Legend is profoundly worthy of it! John has a feel for classic soul – strings and horns filter in with his own piano playing and emotive vocals – but the production approach is ... CD
Maxwell's third album, and he just keeps getting better. His songwriting skills have become more finely honed, and the arrangements and general feel still maintain his warm, retro modern vibe. We never tire of his soulful vocals, and music that references classics like the Isleys, Marvin Gaye, ... CD
The long-awaited "real" second album from Jill Scott – finally out 4 years after her massive debut! Fortunately, the passage of time has done nothing to dampen Jill's genius – and the sound, style, and overall quality of this set is every bit as great as we could have hoped. ... CD
Lizz Wright teams up with producer Joe Henry on a tribute to the grace of the American south – on a record that may well be her strongest to date! The set's got a warm core that really suits Wright's vocals – and the strength of her presentation here is so rich, she hardly needs any ... CD
The debut release of a new soul superstar – the magnificent Kem, an all-in-one artist with a sound that's tremendous! Kem wrote, arranged, and produced the whole album himself – wrapped up in banks of keyboards, lush rhythms, and some exquisite vocals that have lots of nice jazzy ... CD
Mindblowing stuff – the first album from Siji, and an immediate classic that grabbed us right away! Siji's been bumping around on various records for the past few years – lending his vocal talents to a number of great club tracks and singles – but this is his first full album, ... CD
Karl Denson has long been one of the funkiest reed talents on the west coast – working the groove in classic Ubiquity recordings of SF acid jazz from the early 90s, and playing on some of the strongest records to come out of the Greyboy label at the same time. Here, he makes his Blue Note ... CD