Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Pop Espontaneo – Homemade Psychedelic Funk & Fuzz-Pop from Paraguay 1969 to 1975 (with bonus tracks)

CD (Item 904825) Out-Sider (Spain), Late 60s/Early 70s — Condition: New Copy
Out Of Stock

CD

✈

Jodi's a duo, not a single guy – but together, the pair have a style that's very much in the best tradition of singular outsider rockers from the past! The music is maybe a bit electronic, a bit psych, and definitely tuneful enough to earn the "pop" in the title – but never in a way that would hit the charts, especially in the group's native Paraguay! Instead, these cuts feel as if they came from the American hinterland in the years between psych and punk – by one of those rare groups who were so far from any big scenes, they had all the freedom to do things on their own – which might occasionally mean picking up direct influences, but always ending up with something very different and offbeat. A few of these tunes are even a bit funky, and just about all of them are pretty darn groovy – with titles that include "Altered Termites In My Room", "The Mom Kiss First", "A Sunburst Of Bees", "Tell Me Why", "Six Feet Over The Rainbow", "Night Dreamer", "Wanna Changed This World", "Save My Soul", and "I Find You In The Night". CD features bonus tracks – "Toys", "Hard To Be Alone", and "Searching For A Figure".  © 1996-2020, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


Conrad Schnitzler

Con
Paragon/Bureau B (Germany), 1978. New Copy
Beautiful early solo work from Conrad Schnitzler – a set that's kind of a distillation of the ideas he brought to Tangerine Dream at the start, but distilled down into much more personal territory, with a very different vibe than the sound of that group at the time! The music is every bit as ... CD
Sky/Bureau B (Germany), 2020. New Copy
A beautiful contemporary album that follows the same spirit of the vintage Selbsportrait records by Roedelius – and one that uses the same sort of vintage instrumentation too – given that the master of spare musical space works here on Fender Rhodes, Farfisa, Roland and Korg keyboards! ... CD
Bureau B (Germany), Mid 70s. New Copy
Rare archival recordings from the legendary Hans Joachim Roedelius – material that's maybe even more creative and experimental than his Sky Records albums of the late 70s! The work here was all recorded on a Revox tape recorder, and has been pulled from the archives for special inclusion in ... CD

Organisation (Kraftwerk)

Tone Float (with bonus track)
Innerspace (UK), 1970. New Copy
A rare early chapter in the career of Kraftwerk – an obscure album issued only in the UK, and one that features the duo of Ralf and Florian augmented by three other players! The sound here is heavily instrumental, and very experimental – almost in the mode of some of the more ... CD
London Calling (UK), Late 60s. New Copy 4CD
A really lost slice of work from the legendary Scott Walker – material recorded for his short-lived TV show and specials for the BBC in the late 60s! Scott here is at the height of his powers – the god-like voice from the albums Scott 1 through Scott 4 – working mostly with his ... CD

Iron Butterfly

Fillmore East 1968
Atco/Wounded Bird, 1968. New Copy 2 CDs
CD...$8.99 18.99
An unreleased live performance from Iron Butterfly – one that captures the group at their late 60s height, in front of a very heady crowd at The Fillmore East! The recording quality is great – very clear, and different than the group's studio albums – with maybe even a bit more ... CD

Ray Stinnett

Fire Somewhere
Light In The Attic, 1971. New Copy
CD...$6.99 14.99
A rare early 70s record from guitarist, singer and songwriter Ray Stinnett – who was the guitar player for Sam The Sham & The Pharaohs at their wooliest and bulliest – and made this long-buried solo record for A&M in '71! Ray was born in Memphis, and after his success with Sam ... CD

Family Of Apostolic

Family Of Apostolic
Vanguard/Future Days, 1968. New Copy Gatefold
CD...$6.99 14.98
A beautifully trippy record – recorded by a loose collective of musicians and singers brought together around the scene at Apostolic Studios, in a relaxed setting that makes for some of the most offbeat sounds you'll ever hear on the Vanguard label in the 60s! There's more of a Fugs/ESP vibe ... CD
Virgin/Light In The Attic, 1978. New Copy 2 CDs Gatefold
CD...$7.99 16.98
The bracing debut of Public Image Itd! First Issue is seriously one of the most stunning post punk albums of its time – and we think it's light years ahead of the Sex Pistols in terms of boundless creativity and originality. Given that the Pistols disintegrated mere months before First ... CD
Cotillion/Wounded Bird, 1970/1971. New Copy
CD...$6.99 13.99
Two Cotillion classics from Screaming Lord Sutch – back to back on a single CD! First up is Lord Sutch & Heavy Friends – an album that's almost equally well-known for its work by a host of famous guests – including Jeff Beck, Jimmy Page, John Bonham, and others! Page is ... CD
Numero, Late 60s/Early 70s. New Copy
CD...$7.99 18.98
Some of the most underground sounds you could ever hope to hear – quite literally, as the music on the set was recorded in a subterranean studio based in a cavern in Missouri! We could go on making endless jokes about "hard rock" and things like that – but we'll quickly skip ... CD
London/Big Pink (Japan), 1976. New Copy
One of the best-remembered albums from the Olympic Runners – not the shorts-clad ladies on the front cover, but a UK funk combo with a mighty sharp edge! These guys are best when they're really laying into the groove – hitting hard with the bass, following with the drums, and peppering ... CD
 



⇑ Top