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Step Forward Youth – Roots Masters From The Punky Reggae Party

LP (Item 904450) VP, Mid 70s — Condition: New Copy

A fantastic selection of tracks from a time when reggae and punk were really crossing over on the UK scene – the earliest years of the punk rock movement, when bands like The Clash, Slits, and others were bringing the sounds of Jamaica into much greater mainstream circulation! The cuts here aren't reggae punk – or punked-up reggae – but are instead the core tracks that influenced the late 70s UK generation – mostly roots reggae numbers from a few years before, whose politics and production really struck a chord with disenchanted youth in England! Don't worry about the package being too commercial, or too familiar – as the set list is a nicely deep dig, with all the right tracks – titles that include "Rebel" by Barry Ford Band, "The Barber Feel It" by Dr Alimantado & Jah Stitch, "Turn The Heater On" by Keith Hudson, "Pablo Meets Mr Bassie" by Agustus Pablo, "Jah Is I Guiding Star" by Tappa Zukie, "Guess Who's Coming To Dinner" by Michael Rose, "Cool Out Son" by Junior Murvin, "Roast Fish & Cornbread" by Lee Perry, "Mr Cop" by Gregory Isaacs, "Two Sevens Clash" by Culture, and "Heavy Manners" by Prince Far-I.  © 1996-2022, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


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VP, Early 70s. New Copy
Glen Brown's often the producer here – helming the decks on a host of classic cuts from the early 70s – but he also emerges as the main character too, at times when he steps to the mic and adds in a bit of encouragement to the proceedings! Brown's not really working in deejay mode ... LP, Vinyl record album

Augustus Pablo

Blowing With The Wind
Rockers/Greensleeves, Early 80s. New Copy (reissue)
Seminal 80s work from Augustus Pablo – a set that's maybe got a bit more digital and electronic touches in the mix, but which still maintains that fantastic mix of dub and melodica that made the man so unique! The tunes have very righteous rhythms at the core, and a bit of keyboards mixed in ... LP, Vinyl record album

Augustus Pablo

Rising Sun
Message/Greensleeves, 1986. New Copy (reissue)
Fantastic work from Augustus Pablo – and a great demonstration of the way that the best of the classic 70s Jamaican artists were able to shift their styles slightly during the 80s, but still come up with a sound that was every bit as great! There's more digital elements here than before ... LP, Vinyl record album
Greensleeves, Late 70s/Early 80s. New Copy 2LP
Crucial work from the mighty King Jammy – nearly a decade's worth of productions involving a host of key artists on the Kingston scene – set up with a quality that really helps Jamaican move forward at the underground, after a burst of global fame in the 70s! Jammy's got this nicely ... LP, Vinyl record album
Greensleeves, 1981. New Copy 2LP
Scientist spins out on a dub-driven power boat – scanning the swamps to drive out the vampires and a host of other ghouls too – all while reinventing Jamaican music in the process! The record's filled with lots of cool electric elements – those weird production effects and ... LP, Vinyl record album

Johnny Clarke

Creation Rebel
17 North Parade, Mid 70s. New Copy 2LP Gatefold
Fantastic work from Johnny Clarke – one of the younger Jamaican vocalists to emerge in the 70s – given that he started recording at a time when the music had already crossed the Atlantic and was making some big global waves – leaving it to singers like Johnny to bring the whole ... LP, Vinyl record album
VP/17 North Parade, Early 80s. New Copy 2LP Gatefold (reissue)
The vocals here are wonderful – a strongly soulful style that really reflects the group members' many years in Jamaican vocal groups – but the rhythms are also key, too – and handled by the Roots Radics with some slight touches of the digital age to come! The balance between ... LP, Vinyl record album

Lee Perry & Friends

Black Art From The Black Ark
Pressure Sounds, Late 60s/Early 70s. New Copy 2LP
A host of rare gems from the early years of Lee Perry's legendary Black Ark studios – material recorded by Scratch himself, on some cuts featuring The Upsetters, others some close contemporaries – but all nicely unified here by contributions from Lee at just about every level! As with ... LP, Vinyl record album

Gold Connection

Gold Connection
Federal/Dub Store (Japan), Mid 70s. New Copy (reissue)
An obscure little record, but a soulful one too – a rare 70s Federal Records session that mixes together reggae and soul – with vocals by a trio of female singers that includes a young Marcia Griffiths and Cynthia Schloss! Lots of tracks take a disco inspiration, but slow the pace down ... LP, Vinyl record album
Trojan/Music On Vinyl (Netherlands), Early 70s. New Copy (reissue)
Great work from one of the lesser-known vocal trios of the Kingston scene in its heyday – and a group who are also an obscure Lee Perry project too! The Silvertones have a wonderful harmony style – a very deep lead, and soaring backups that really take off in surprising ways – ... LP, Vinyl record album
Trojan/Antarctica Starts Here, 1968. New Copy (reissue)
Bad-stepping sounds from The Uniques – a really hip Jamaican vocal group, and one who sing with an edge that's maybe even sharper than some of their contemporaries! At first listen, the warmth of their harmonies is as sweet as you might expect – but as the music moves on, they open up ... LP, Vinyl record album
Trojan/Music On Vinyl (Netherlands), 1975. New Copy (reissue)
Fantastic stuff – and a record that's as much an early 70s reggae set as it is a strong bit of east coast soul – Kingston rhythms mixed with fantastic harmonies that maybe echo more of the East Coast group soul modes than some of the earlier Jamaican groups of the 60s! The choice of ... LP, Vinyl record album
 



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