This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible. All of our Used CDs are guaranteed to play
without skipping or flaws. If you purchase a Used CD from Dusty Groove,
you have 1 week to play it to determine that it plays correctly — and if it does not,
then you may return it for a full refund.
With our Used CDs, you can expect the disc to be free of all but the lightest of
surface marks — clean, and not dirty at all. You can also expect the case to be
clean (we often change the cases ourselves — putting fresh cases on Used CDs we
handle) — and you can expect the booklet to be in good shape, unless noted
otherwise. We will list any specific details/defects underneath the item — so
look for notes on cutout marks in the case, stamps on the barcode, or details like that.
One of the real standouts in the career of Ricardo Ray and Bobby Cruz – a record of incredible tightness, and one that set a whole new level for Puerto Rican salsa in the 70s! There's still a few traces here of the Latin Soul years – sometimes in the rhythms, at other times in the ... CD
Legendary Latin singer Celia Cruz is in wonderful company here – working alongside some great grooves from the equally legendary Johnny Pacheco! Johnny's got a way of keeping things clean and lean throughout – in a mode that mixes 70s salsa impulses with some of the older, more ... CD
A classic Mongo Santamaria record from the late 70's – one of the best of his albums for Vaya, filled with nice electric-tinged grooves, and some great work in the Latin fusion mode! The sound's different from his 60's recordings, with more of a jazzy vibe, and a sound that's a little bit ... CD
A classic collaboration between Celia Cruz and Johnny Pacheco – one that uses the rootsier sounds of Pacheco's tumbao group to further focus the energy of Celia's vocals! The record's got a solid, cohesive feel that makes it easily one of the best Celia Cruz sessions of the 70s – a ... CD
A second wonderful collaboration between Johnny Pacheco and vocalist Melon – a duo who really find a special sort of place when working together! Melon's got this fluid, soulful sort of style – a mode that opens up Pacheco more, especially past some of the more iconic grooves he'd been ... CD
One of Mongo Santamaria's best albums of the 70s – a killer live set recorded at Yankee Stadium, during the same night that produced a live date by the Fania All Stars! The groove here is a wonderful blend of Latin, funk, soul, and jazz – grooving with a kickass approach that's almost ... CD
Wonderful wonderful work from Jimmy Sabater – easily the most soulful singer on the New York Latin scene of the time! The album's got Jimmy stepping out from his work with the Joe Cuba group – singing in front of a larger group that includes Johnny Colon, Bobby Rodriguez, Sonny Bravo, ... CD
A landmark set of highly percussive tracks! Back in the mid-70's, when Salsoul was still recording Latin music and not disco, they put out this great double album of traditional Latin percussion playing by the new revivalist Grupo Folklorico, which featured Virgilo Marti and other great New York ... CD