Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Life & Death On The New York Dance Floor – 1980 to 1983 – Part 1

LP (Item 904046) Reappearing (UK), Early 80s — Condition: New Copy
2LP

A fantastic companion to the book of the same name by author Tim Lawrence – the excellent Life & Death On The New York Dance Floor – which explores all the cool strands of funky punk, avant rock, and arty grooves that exploded on the New York scene after the decline of disco! Some of this work might fall into the post-disco side of the spectrum, other cuts are maybe a bit more post-punk – and together, they represent a really fantastic wellspring of new creativity – at levels that were years ahead of their time! Titles on this first volume include "Desire" by Tuxedomoon, "Drum Mode" by Gray, "Saturn Drive" by Alan Vega, "Jam Hot (Rhumba Rock)" by Johnny Dynell & New York 88, "Big Business (dance mix)" by David Byrne, "Beat Bop" by Rammellzee Vs K-Rob, "Hold Up" by 3 Teens Kill 4, and "Go Bang (LP version)" by Dinosaur L.  © 1996-2019, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


Expansion (UK), 2019. New Copy 2LP
... LP, Vinyl record album
Mr Bongo (UK), Late 60s/1970s. New Copy 2LP
A record club that's way way cooler than the Columbia House version of the 70s – as the Mr Bongo take on the format features only rare funk tracks from around the world! Most of these tunes here are from vintage Brazilian and African sources – but the tunes still have plenty of ... LP, Vinyl record album
Mr Bongo (UK), Late 60s/1970s. New Copy 2LP
Mr Bongo reminds us once again why they've been one of our favorite labels of the past few decades – delivering a masterful collection of rare funky dancefloor grooves around the globe for their Record Club Volume 3! True to form, it's vintage rare funk, bossa, Afro Soul and underground ... LP, Vinyl record album
Z Records (UK), Late 70s/Early 80s. New Copy 2LP Gatefold
A great entry in this really fantastic series – one that's turned us on to more rare club cuts than we can count over the years – and which still stands head and shoulders above most other collections of vintage dancefloor grooves! The tracks here are all hand-picked by Winston – ... LP, Vinyl record album
Numero, Early 70s. New Copy 2LP Gatefold
A treasure trove of funk and soul from one heck of a great little label – Columbus, Ohio's short-lived Capsoul imprint – only around for 5 years in the 70s, but home to a great flurry of indie singles! We first caught onto the label's brilliance with their funky classics "Hot ... LP, Vinyl record album
EP Sound (Italy), Late 50s/1960s. New Copy
Dj Qbico usually gives us grooves from other parts of the planet – but here, he focuses on rare vintage singles from the US – but all tracks that borrow nicely from other styles around the globe! In other words, the set features American artists working with touches of Eastern, Mid-Easte ... LP, Vinyl record album
EP Sound (Italy), 1960s/1970s. New Copy
A feast of rare funky 45s – but with a style that's very different than American work in that format – as these cuts all come from the other side of the Atlantic, and have a wonderfully intense approach to the groove! The title only partly sums up the sound, as there's plenty going on ... LP, Vinyl record album
Qbico (Italy), 1960s. New Copy
Rare Latin 45s that we'd never hear otherwise – all pulled from obscure 60s singles on very small labels – material that's even harder to find than rare records on labels like Fania or Alegre! The styles here run a nice gamut, but most numbers are upbeat and have some jazzy currents ... LP, Vinyl record album
EP Sound (Italy), Late 50s/1960s. New Copy
Dj Qbico usually gives us grooves from other parts of the planet – but here, he focuses on rare vintage singles from the US – but all tracks that borrow nicely from other styles around the globe! In other words, the set features American artists working with touches of Eastern, Mid-Easte ... LP, Vinyl record album
EP Sound (Italy), 1970s. New Copy
We're not entirely sure how to describe the sound of this set – and we're maybe not even entirely sure what "Afro Essence" might be – but from the music on the record, and the title on the cover, it might be the case that DJ Qbico has invented his own new genre! The tracks ... LP, Vinyl record album
Veals & Geeks, 1972. New Copy LP + 7" (reissue)
Kind of an offshoot of the Marc Moulin world of the early 70s – the self-titled album from Plus, a group made up of musicians from the funky combo Placebo! The vibe is much more open than with Placebo, but still shares lots of that group's great talent for mixing together jazz, funk, and ... LP, Vinyl record album

Margots

Pescado
Okka Disk, 2013. New Copy
A really unique blend of jazz and vocals – and a great start for this really unique group! The Margots is a collaboration between vocalist Adrienne Pierluissi and jazz musicians Ken Vandermark – who co-wrote the music on the set, and handles all the arrangements too! Pierluissi hails ... LP, Vinyl record album
 



⇑ Top