Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Daughters Of Darkness (Les Levres Rouges) (180 gram transparent colored pressing – with bonus tracks)

LP (Item 904034) Music On Vinyl (Netherlands), Early 70s — Condition: New Copy
Gatefold (reissue)
❔
Also available
Francois De Roubaix — Daughters Of Darkness (Les Levres Rouges) (with bonus tracks) ... CD 18.99

One of the spookiest soundtracks ever crafted by one of our favorite film composers of all time! Francois DeRoubaix always had this amazing style to his music – unlike anyone else, especially in the way he could blend together spare acoustic elements and unusual sonic and electronic touches! There's a very intimate feel to the record – almost as if Francois is performing most of the sounds in the studio himself – balancing a guitar line with a keyboard fill, a bowed bass bit with drums, soaring strings with trumpet, and so on – occasionally hitting some funky touches that really keep things interesting – and which makes some of DeRoubaix best work on a par with the genius of Serge Gainsbourg and Jean-Claude Vannier! Titles include "The Countess Kiss", "Phantom Organ & Piano", "Pursuit On The Dunes Of Ostend", "Accident & Cymbalum", "Love On The Rails", "Red Lips", "Ballad In Bruges", and "The Dunes Of Ostend Flagellation". Also features two bonus tracks not used in the film – "Dracula 68 Woodstock" and "The Bruges Band".  © 1996-2019, Dusty Groove, Inc.
(Limited transparent colored vinyl.)

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible. All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.

With our Used CDs, you can expect the disc to be free of all but the lightest of surface marks — clean, and not dirty at all. You can also expect the case to be clean (we often change the cases ourselves — putting fresh cases on Used CDs we handle) — and you can expect the booklet to be in good shape, unless noted otherwise. We will list any specific details/defects underneath the item — so look for notes on cutout marks in the case, stamps on the barcode, or details like that.


You might be interested


GDM/Monte Stella (Italy), 1967. New Copy Gatefold (reissue)
A wonderful western score from Ennio Morricone – less typical than some of his classics, and with a really unique sort of sound! Many of the numbers here have a really low-rumbling quality – sounds that don't blast out with action or violence, but which emerge slowly from the lower end ... LP, Vinyl record album
Monte Stella (Italy), 2000. New Copy (reissue)
A later Ennio Morricone film score – one done around the turn of this century, and with a nicely understated vibe that marks most of the maestro's music from the previous decade! The score features solo piano and violin – the latter by a few different musicians – but almost ... LP, Vinyl record album
Monte Stella (Italy), 1969. New Copy (reissue)
One of Morricone's most fantastic scores ever! The sound is very subdued and very subtle, but it's got that beautiful Morricone sound. The notes just inch by, one after one, in short, spare passages – and they build up into a tapestry of sweet, yet off-kilter sounds. It's beautiful stuff, ... LP, Vinyl record album
GDM/Monte Stella (Italy), 1974. New Copy Gatefold (reissue)
A mid 70s Italian cartoon, but one that features some great soundtrack work from Ennio Morricone and Alessandro Alessandroni – each of whom bring a slightly different feel to the set! Morricone composed the film's main love theme – "Forse Basta" – a beautiful number ... LP, Vinyl record album

Gene Page

Blacula
RCA, 1972. New Copy (reissue)
Deadlier than Dracula – and a lot funkier too! This is the original soundtrack for the classic blacksploitation horror flick starring the baaadest Drac ever to grace the screen of all those shabby downtown theaters that were still around in the 70s – a wicked batch of wah-wah tunes ... LP, Vinyl record album

David Friedman/William Allen Castleman

Space Thing (silver vinyl pressing – with DVD)
Modern Harmonic/Something Weird, 1986. New Copy (reissue)
A really strange little sci-fi soundtrack – penned for a film that was billed as one of the first "adult" science fiction movies – even though it was relatively tame compared with bigger budget porn to come! The low-fi masterpiece was directed by David F Friedman – not ... LP, Vinyl record album
Modern Harmonic/Something Weird, 1962. New Copy (reissue)
A very cool soundtrack for a very weird movie – an early 60s nudie film, but one that's a fair bit tamer and sweeter than material from later in the decade! The focus here is on the music – which is surprisingly well-done, and mixes jazz with exotic currents – often with a lot ... LP, Vinyl record album
Four Flies (Italy), 1972. New Copy
This Godfather's got a mighty long arm – and a mighty groovy sound, too – one that includes some great leaping rhythms bubbling up with basslines, and plenty of fantastic vocals from both Edda Ell'Orso and I Cantori Modern! Edda sings in that wordless breezy style she brought to some ... LP, Vinyl record album
Four Flies (Italy), 1964. New Copy
Three nights of love from Piero Piccioni – scored with a sound that's right in between the jazzier styles he used in the first half of the 60s, and the groovier modes from the second half of the decade! Instrumentation matches that of some of Piero's straighter scores from a few years before ... LP, Vinyl record album
Four Flies (Italy), Late 60s/1970s. New Copy
Freaky funk from the Italian scene – exactly the kind of grooves that will open your ears if you think that funky sounds can only come from American soul bands or jazz musicians! The music here is filled with heavy drums, tight basslines, and lots of other groovy instrumental touches – ... LP, Vinyl record album
Four Flies (Italy), 1960s. New Copy
Modern jazz from the Italian scene of the 60s – all of it recorded for film and soundtrack use, and almost none of is released before! The music here shows not just the fantastic advances in film scoring in the 60s, but also the overlooked growth of jazz in Italy at the same time too – ... LP, Vinyl record album

Gianni Marchetti

Il Magnifico Tony Carrera
CAM/Transversales Disques (France), 1969. New Copy (reissue)
A great one from Gianni Marchetti – the Italian composer we know best for his work on The Wild Eye, but who sounds equally great on this set too! The best tracks have a heavy rhythm at the bottom – not really funky, but kind of mod, and a bit more off-kilter on the slower numbers ... LP, Vinyl record album
 



⇑ Top