Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Fellini Soundtracks (Early Movies/La Strada/Notti Di Cabiria/La Dolce Vita/8 1/2) (5CD set)

CD (Item 902538) DOL (Russia), Late 50s/Early 60s — Condition: New Copy
5CD
Temporarily Out Of Stock

CD

✈
❔

5CDs, and a set of great soundtracks to early films by director Federico Fellini – music that forever set the standard for a new generation of film composers! First up is La Strada – the brilliant mid 50s filled that starred a young Giulettia Masini as one of the saddest clowns ever to grace the silver screen – an amazing performance supported here by key early work from Nino Rota. Rota's score is a mix of circus-like themes and darker moments – all delivered with a dynamic energy that's really wonderful – almost leaping out of the speakers at some points, then sliding into shimmering, watery depths at others. Titles include "Il Pranzo Di Nozze", "Tema Della Strada", "Gelsomina", "Il Bambino Malato", "Zampano Abbandona Gelsomina", and "Addio Del Matto". Next is Le Notti Di Cabiria – aka Nights Of Cabiria – a film of similar vintage, with an equally wonderful score by Rota! The music's a bit more lush this time around – fuller orchestrations at times, but always with that ear for an isolated melody amidst the larger body – that sense of personality that makes Rota's soundtracks so great. Titles include "Picnic Al Divino Amore", "L'Illusionista", "Il Trasloco", "Aspettando Giorgio", and "Le Notti Di Cabiria". La Dolce Vita is one of the all-time classic Italian film scores – a groundbreaking soundtrack from Nino Rota, and one of the first Italian works of this nature to hit the record racks in the US! The music is a beautiful blend of whimsy and sadness – penned by Rota with a variety of light themes that dance together with a dreamy sort of quality – romantic one minute, dramatic the next – always handled with Nino's inventive sense of musical play! A delight throughout – with titles that include "La Doce Vita", "Cadillac", "Via Veneto", "Titoli Di Testa", and "Valzer". 8 1/2 is beautiful work by Nino Rota – filled with the kind of classic themes that distinguished his best work for Fellini. Carlo Savina conducted, and he does an excellent job with Rota's ideas – crafting them into short little packets of sound, woven tightly into little balls that pass back and forth as the mood of the film changes, in a similar mode to the scoring for La Dolce Vita. Titles include "Cadillac", "Cimitero", "Discesa Ai Fanghi", "La Passerella D'Addio", "Concertino Alle Terme", and "E Poi". Last up is a special soundtrack – featuring works from very early films by Fellini – including Il Bidone, I Vitelloni, Un Agenzia Matrimoniale, Lo Sceicco Bianco, and La Grande Seduzione.  © 1996-2021, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


Sugar/Universal, 1970s. New Copy
An impeccable collection of work from one of the greatest soundtrack talents ever – a package that brings together a range of rare work from the 70s, including a number of previously-unreleased tracks! The music does have some of the dark tinges promised by the title, but this is less the ... CD
DOL (UK), Late 50s/Early 60s. New Copy 5CD
5CDs' worth of great music from the Nouvelle Vague – the French New Wave of Cinema that emerged at the end of the 50s – and which often featured a fair bit of jazz in the mix for its soundtracks! CD1 features the Paul Misraki score for Et Dieu Crea La Femme – And God Created ... CD

Whit Boyd Combo

Party Girls
Modern Harmonic, 1969. New Copy
Funky organ jazz from a very unlikely source – a Texas-made porno from 1969, and a movie that dared ask the question "Do prostitutes make good wives?" The music is unusual in that it's actually pretty darn good – nice small combo jazz, often with a good current of funk in the ... CD
Modern Harmonic, 1950s/1960s. New Copy
A totally cool collection of songs, sound effects, and vintage movie trailers – all pulled from the glory days of the American horror film! The package is a tribute to the old time monster shows that used to travel the theater circuit – a mix of horror movies and live action activity ... CD
Something Weird/Modern Harmonic, 1967. New Copy CD & DVD
Groovy sounds for a somewhat creepy film – an obscure 1967 exploitation documentary about the underground hippie sex scene in San Francisco! The record is almost like a mini-movie in sound – in that it features a narrator describing various scenes in the city's underground, while ... CD
Modern Harmonic, 1969. New Copy
Dracula never sounded so funky – thanks to the mighty sounds of the Whit Boyd Combo! Boyd was a porn peddler in 60s Texas, but also cut a few great soundtracks for his smutty films – including this wonderful romp that's full of funky drums, heavy organ, off-tuned guitar, and even a bit ... CD
Sacred Bones, 2018. New Copy
The legendary John Carpenter first made his mark with Halloween – both as a director, and as a composer – the second a role for which he's finally gotten the attention he deserved! The original Halloween soundtrack was a masterpiece in understatement – spare instrumentation, ... CD
Epic/Quartet (Spain), Early 70s. New Copy
A pair of rare soundtracks from Philippe Sarde – both of them done for Italian director Marco Ferreri! First up is Liza – a sensual score that does a really great job of using older modes of instrumentation to convey some of the slinky 70s eroticism of the movie! Unlike other scores ... CD

Philippe Sarde

Barocco/Les Soeurs Bronte
Quartet (Spain), Late 70s. New Copy
A pair of obscure 70s soundtracks from Philippe Sarde – back to back on a single CD! First up is Barocco – a great little dramatic score from Philippe Sarde – done for a film set in the lower reaches of the boxing world, and given this wonderfully moody music that's even a cut ... CD
Roundtable (Australia), 1971. New Copy
A beautiful and exotic score from the great John Barry – one that never had as much circulation on record as some of his bigger hits of the time, but which is equally well deserving of praise! The music is done for Nicolas Roeg's film Walkabout – set mostly in the Australian outback ... CD

Philippe Sarde

Le Chat/Le Train
Quartet (Spain), Early 70s. New Copy
Two early 70s scores from Philippe Sarde – both from a time when he was really at the top of his game! Le Chat is a soundtrack that's done with the rich amount of feeling that can make some of the best Sarde scores so special – larger orchestrations, but peppered with solo piano by ... CD
Music Box (France), 1974/1982. New Copy
Two different soundtracks for films with Alain Delon in the lead – an actor who always seems to work with great music on his movies! First up is Le Choc – a set that has fuller orchestrations penned by Philppe Sarde, but handled by UK maestro Peter Knight – who you might know ... CD
 



⇑ Top