Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Reality (Japanese paper sleeve edition)

CD (Item 901731) Dureco/P-Vine (Japan), 1972 — Condition: New Copy
Out Of Stock

CD

✈
❔

Massive grooves from a very unique group! These guys play guitar and percussion all at once – in a flurry of fast grooves that rip away tremendously, but with a style that's still plenty darn earthy! There's definitely a bit of a global influence in the music overall, but the sound comes out as pure funk in the end – tightly focused, and very jamming – but not in a way that's ever too overindulgent. Some tracks feature vocals by singers Leslie Vos and Renold Shearman, and instrumentation includes guitars, organ, timbales, and congas – on titles that include "Gachero", "War", "Change The World", "Mack One", "Music In My Head", "High Winds", "Across The Ocean", "Nowhere To Hide", and "Guyana Groove".  © 1996-2020, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


P-Vine (Japan), 2003. New Copy
Barbara Lynn was one of the all-time female soul greats of the 60s – a really strong, independent artist who was more than just a singer – as she also played guitar on her records and wrote a fair bit of her own material too – a quality that really set Barbara apart from the pack, ... CD

Jimmy Briscoe & The Little Beavers

My Ebony Princess
Pi Kappa/P-Vine (Japan), 1975. New Copy
An east coast harmony classic from Jimmy Briscoe & The Little Beavers – a sweetly-voiced young soul group with a really positive sound! Jimmy and the group have a groove that's more mature than some of the other young soul acts to emerge in the wake of the Jackson Five – and the ... CD

Jimmy Briscoe & The Little Beavers

My Ebony Princess
Pi Kappa/P-Vine (Japan), 1975. New Copy
An east coast harmony classic from Jimmy Briscoe & The Little Beavers – a sweetly-voiced young soul group with a really positive sound! Jimmy and the group have a groove that's more mature than some of the other young soul acts to emerge in the wake of the Jackson Five – and the ... CD
Paula/P-Vine (Japan), 1972. New Copy
Harmony soul heaven – and the only full album from The Montclairs! The group were a sublime vocal group from the 70s – one with a sound to rival The Whatnauts or The Moments, but which also had a bit more of the super-dope touches you'd expect from their look on the cover of the record ... CD
Paula/P-Vine (Japan), 1972. New Copy
Harmony soul heaven – and the only full album from The Montclairs! The group were a sublime vocal group from the 70s – one with a sound to rival The Whatnauts or The Moments, but which also had a bit more of the super-dope touches you'd expect from their look on the cover of the record ... CD

Arnie Love & The Lovelettes

Invisible Wind – The Tap Recordings
Tap/P-Vine (Japan), Early 80s. New Copy
A full album of work from Arnie Love – an artist we first discovered on the Don't Stop collection from Numero, served up here in a deeper collection of his work for the Tap Recordings label! Arnie's grooves here are mostly aimed at the dancefloor – a tight bit of boogie or funk on the ... CD

Arnie Love & The Lovelettes

Invisible Wind – The Tap Recordings
Tap/P-Vine (Japan), Early 80s. New Copy
A full album of work from Arnie Love – an artist we first discovered on the Don't Stop collection from Numero, served up here in a deeper collection of his work for the Tap Recordings label! Arnie's grooves here are mostly aimed at the dancefloor – a tight bit of boogie or funk on the ... CD
Kent/P-Vine (Japan), 1964. New Copy
A smoking live set from Ike & Tina Turner – and one that really gives you a rare glimpse at the full picture of the way they were operating back in the 60s! There's a freshly gritty feel to the record that goes way beyond cliches of the pair's later work – Tina clearly in the lead ... CD
Kent/P-Vine (Japan), 1964. New Copy
A smoking live set from Ike & Tina Turner – and one that really gives you a rare glimpse at the full picture of the way they were operating back in the 60s! There's a freshly gritty feel to the record that goes way beyond cliches of the pair's later work – Tina clearly in the lead ... CD
Amazon South/P-Vine (Japan), 1981. New Copy
Bassy funk from the early 80s southern scene – the only album we've ever seen from Piranha, and a gem of a tight little set! The groove here is roughly in the mode of some of the better-known northern club groups in the post-disco years – crafted with lots of boogie bass on the bottom ... CD
Amazon South/P-Vine (Japan), 1981. New Copy
Bassy funk from the early 80s southern scene – the only album we've ever seen from Piranha, and a gem of a tight little set! The groove here is roughly in the mode of some of the better-known northern club groups in the post-disco years – crafted with lots of boogie bass on the bottom ... CD
Choice Cut/P-Vine (Japan), 1976. New Copy
A stone classic from Ron Henderson and his excellent Choice Of Colors group – maybe one of the hippest soul acts in North Carolina during the 70s – and one who are certainly different than the groups of that scene who were trying more for a groove that would please vacationers on the ... CD
 



⇑ Top