Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Warm

CD (Item 901573) dBpm, 2018 — Condition: New Copy
Out Of Stock

CD

❔

A truthfully titled solo effort Jeff Tweedy – a mostly acoustic set of songcraft from one of the most consistently strong songwriters and bandleaders in modern rock! Aside from his son Spencer on drums throughout, Jeff does most of the singing and playing himself, on songs that seem to be much more directly personal than a lot of the songs on later Wilco albums, certainly more intimate, dealing with feelings love and loss in ways we've all felt, but feels fresh and honest, never falling into folk rock cliche. Includes "Bombs Above", "Some Birds", "Don't Forget", "How Hard It Is For A Desert To Die", "Let's Go Rain", "From Far Away", "The Red Brick", "How Will I Find You?" and more.  © 1996-2019, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


Liberty/Domino, 1979. New Copy
The third album from the great Buzzcocks – one of the most fiercely melodic bands of the punk era, and one of the best bands for tuneful, yet barbed songwriting of the late 70s, period! Different Kind Of Tension is a pretty accurate title for this set, the last of the first wave of the group' ... CD

A Certain Ratio

ACR Box (4CD set)
Factory/Mute, Early 80s. New Copy 4CD
A really great collection of work from one of the coolest, most compelling groups to record for the legendary Factory Records label – a combo who were contemporaries of Joy Division and New Order, but who had a very different sound! A Certain Ration – or ACR for short – had a ... CD
Pilz/BMG, 1972. New Copy
A great step forward for Popul Vuh – a set that's still filled with all the amazing electronics of the group's previous records, but which also has even more focus and tunefulness too – yet all in a way that's still pretty darn far out overall! The album's got a slightly spiritual bent ... CD
Liberty/BMG, 1970. New Copy
The incredible first album from Popul Vuh – some of the coolest, moogiest work to come from the German scene in the early 70s – and a record that's filled with loads of wonderful analogue electronics – spun out over these long, spacey extrapolations – and magically mixed ... CD
On-U Sound/Mute, Early 80s. New Copy 2CD
Wonderfully noisy, messy grooves from the mighty Mark Stewart – working here in the best spirit of the On-U sound years – when just about anything was allowable in the studio! Stewart's equally influenced by punk and dub, but also has a sound that's completely his own – very dark ... CD
PDU/BMG, 1974. New Copy
A leaner lineup of Popul Vuh – mostly guitar and piano or keyboard lines, mixed with percussion – but a record that also has some of the group's most tuneful moments of the early 70s – and a sound that really shows them moving forward with a new sort of energy! Most of the tracks ... CD
United Artists/BGO (UK), 1970. New Copy
CD...$8.99 14.99
The first two albums from Brinsley Schwarz – back to back on a single CD! First up is the fantastic debut from Brinsley Schwarz – a group named after their guitarist and singer, but which also features tremendous work from a young Nick Lowe as well! Despite the single name in the lead ... CD
ABC/BGO (UK), 1975/1976. New Copy 2CD
A pair of mid 70s albums from John Mayall – back to back in a single set! First up is Notice To Appear – a great little change for John Mayall – a set that has the British singer picking up some strong funky touches from Allen Toussaint – the New Orleans soul legend who ... CD
EMI/BGO (UK), Early 60s. New Copy
CD...$8.99 14.99
Strong work in the lead by The Roulettes – a group who initially replaced the John Barry Seven as the backing group behind UK rocker Adam Faith – but who here really seem to find a great sound of their own! The combo had changed a bit by the time of this debut – and benefits from ... CD
United Artists/BGO (UK), 1974. New Copy 2CD
CD...$8.99 16.99
Two solo albums from Deke Leonard – back to back in a single set, with bonus tracks too! First up is Iceberg – an overlooked solo set from Deke Leonard – once a member of the group Man, out here on his own in a very unusual, very specific sort of style! The guitar work is every ... CD
A&M/BGO (UK), 1972/1973. New Copy
CD...$8.99 14.99
Two early 70s albums from Rick Roberts – back to back on a single CD! First up is Windmills – great solo work from Rick Roberts – done at a time when he'd left Flying Burrito Brothers, but was yet to hit smoother fame in Firefall! The record's an overlooked gem of the early ... CD
Columbia/BGO (UK), 1966/1967. New Copy
CD...$8.99 14.99
Two late 60s albums from Tim Rose – back to back on a single CD! First up is the self-titled Tim Rose – a fantastic solo debut from Tim Rose – issued by Columbia Records at a time when the label was taking a strong stand with singer/songwriting giants like Bob Dylan and Leonard ... CD
 



⇑ Top