One of the most obscure albums from jazz guitarist Billy Butler – the musician who first rose to fame in the gritty R&B work of organist Bill Doggett, then went onto cut some great funky albums for Prestige Records at the end of the 60s! This set is a lot more unusual than any of those records, though – as it features music from legendary soundtrack composer Galt MacDermot, who also produced the session for his own tiny label! Billy's style here is a bit different than some of his jazz work – more of a focus on chromes and tones, with some wah wah moments that are especially nice – guitar lines that snake around these laidback grooves from a sweet small combo that features drums by Bernard Purdie, bass by Wilbur Bascomb, and piano by Galt himself! Things get nice and spacey at all the best moments – and tracks include "Hush", "Life Wins", "400 Girls Ago", and "Other Side of the Sky". (Original pressing.) © 1996-2016, Dusty Groove, Inc.
We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.