Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

New Zapp IV U/Vibe (with bonus tracks)

CD (Item 898394) Warner/Robinsongs (UK), Late 80s — Condition: New Copy
2CD
$12.99 ...

CD

A pair of albums from Zapp – back to back, and with bonus tracks too! New Zapp IV U is the group's fourth album – and it captures Zapp at the height of their powers – a bit more focused than before, but every bit as funky! Roger's production here is impeccable – done with a great ear for the most soulful side of the group's talents, which keeps them far from some of the more commercial groups who were copping their vibe, but never got things right. Great proof of this is the mellow cut "Computer Love" – a slow stepper that has the group showing their sweeter side, but never losing their cool – a bit like some of the best Fatback ballads of the early 80s. Other cuts are mostly funky – filled with tight basslines, keyboards, and electro bits – and tunes include "It Doesn't Really Matter", "Radio People", "Rock N Roll", "Make Me Feel Good", and "Ja Ready To Rock". Vibe is a set that's late in the classic Zapp run from the 80s, but a record that's still very much head and shoulders above the competition – including the many acts who were trying to cop Roger Troutman's groove, but never got things this right! There's still plenty of bass at the bottom, re-fitted to more of a late 80s funk mode – and some of the trickier turns have the group really serving up that link to P-Funk that's always made them so great – and at a level that maybe even George Clinton couldn't even match at the time. Vocoder bits continue that great Zapp vocal legacy too – used in sparing amounts, but still a wonderful touch – and titles include "Ooh Baby Baby", "I Play The Talk Box", "Fire", "Been This Way Before", "Back To Bass-iks", "Ain't The Thing To Do", "Rock Star", "Jesse Jackson", and "Jake E Stanstill". CD features bonus tracks "Computer Love (ext version)", "California Love (feat Dale DeGroat & Big Robb)", "Computer Love (inst)", "Chocolate City", "I Play The Talk Box (ext)", "Ooh Baby Baby (12" version)", "I Play The Talk Box (dub)", and "Fire (inst jazz version)".  © 1996-2019, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible. All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.

With our Used CDs, you can expect the disc to be free of all but the lightest of surface marks — clean, and not dirty at all. You can also expect the case to be clean (we often change the cases ourselves — putting fresh cases on Used CDs we handle) — and you can expect the booklet to be in good shape, unless noted otherwise. We will list any specific details/defects underneath the item — so look for notes on cutout marks in the case, stamps on the barcode, or details like that.


You might be interested


Robinsongs (UK), Late 60s/1970s/1980s. New Copy 3CD
The only career-spanning collection we've ever seen on The Bar-Kays – and a set that does a mighty nice job of hitting all the right bases! The group first rose to fame as a funk combo on Stax in the late 60s – then shifted a bit after part of the group was killed in the same plane ... CD
Columbia/Soulmusic.com (UK), Late 80s/Early 90s. New Copy 2CD
A great collection of work from Regina Belle – one that features a number of remixes, singles, and collaborations – as well as the album tracks that made her one of the most rock-solid female soul singers at the end of the 80s! At some level, Regina's a singer from another time – ... CD
Columbia/Soulmusic.com (UK), Late 70s/Mid 90s. New Copy 2CD
Two slices of work from Tower Of Power – both recorded for Sony/CBS, but with over a decade between them! First up, the set presents 19 killer cuts from the Columbia Records years of Tower Of Power – a time when the group moved away from Warner Brothers, where they were maybe losing a ... CD
Deram/RPM (UK), 1969. New Copy
Killer work from The Flirtations – originally an American group, but one who made a hip step to the UK in the mid 60s – where they began backing a lot of big artists, and also recorded this rare gem on their own! The sound is a wonderful blend of American soul and 60s UK girl pop ... CD
Motown/Soulmusic.com (UK), 1977/1978/1979/1982. New Copy 2CD
Four classic Motown albums from Thelma Houston – plus bonus tracks too! Thelma's one of those singers who must have been waiting years for disco to come around and help her find a reason to sing! Her career was slightly ill-timed in the beginning, coming along with a baroque soul beginning ... CD
Solar/Robinsongs (UK), 1979/1980. New Copy 2CD
A trio of classic albums from The Whispers – with bonus tracks too! On the first set, the mighty group does way more here than just Whisper in your ear – as they're completely on top of their game, ending the 70s with a wickedly sharp sound that would help them stand strong for years ... CD

Earth Wind & Fire

Earth Wind & Fire/Need Of Love
Warner/BGO (UK), 1971. New Copy
A pair of spiritual soul classics – the rare early Warner Brothers albums from Earth Wind & Fire – back to back on a single CD! Earth, Wind & Fire's first album was recorded at a time when the group recently had ties to the Chicago soul and jazz scenes, and a range of ... CD
Warner/Big Break (UK), 1974. New Copy
CD...$6.99 13.99
Stone classic early work from Nick Ashford and Valerie Simpson – really moving past the Motown sound – stepping wonderfully into a hip style of soul that would have a huge effect on the direction of R&B in the 70s! I Wanna Be Selfish is actually a very giving effort from the ... CD
Robinsongs (UK), Mid 70s. New Copy 2CD
A pair of albums from this British funk group of the 70s – one who were a precursor to bigger English soul sounds to come! First up is the self-titled Ultrafunk album – a rare bit of funk from the mid 70s UK scene – cut with a groove that's got plenty of blacksploitation ... CD

Charles Wright & The Watts 103rd St Rhythm Band

Express Yourself
Warner (UK), 1970. New Copy
A masterpiece of messed-up LA funk – and one of the crowning moments in the career of Charles Wright & The Watts 103rd Street Rhythm Band! Charles and crew do an excellent job with all the tracks – most of which are more open ended than some of their earlier ones, and run on for ... CD
Solar/Robinsongs (UK), Early 80s. New Copy 2CD
A trio of classic albums from Lakeside – representing the second slice of their work for the Solar Records label! First up is Your Wish Is My Command – great stuff from the glory days of the LA bass-pedal funk era! The tracks manage to mix an 80s groove and soul without sounding ... CD
A&M/Robinsongs (UK), Late 70s. New Copy 2 CDs
4 classic records from LTD on 2CDs! Something To Love is a great little groover with arrangements by Philly Soul maestro Bobby Martin – who mixes together funk, club grooves, and smooth soul. Jeffrey Osborne's vocals really shine on this one, too! Osborne's emerging strongly in the mellow ... CD
 



⇑ Top