This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
We realize that there are many different interpretations of the standard grades used
for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with,
so you have an idea what we mean when we give the grade for a non-new item on our pages.
Used Vinyl Grades
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for
the cover should be assumed to be near (within a "+" or "-")
the grading for the vinyl.
If there is significant divergence from the condition of the vinyl, or specific flaws,
these will be noted in the comments section of the item. However, please be aware that
since the emphasis of this site is towards the music listener, our main concern is with
the vinyl of any used item we sell. Additionally, please note that all of our records
are graded visually; considering the volume of used vinyl we handle, it is impossible
for us to listen to each record. If we spot any significant flaws, we make every attempt
to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A standing room ovation in the A&M Studios – certainly the kind of reception we'd imagine Herb would get during these glory years of his career! The set's one of the most no-nonsense Tijuana Brass sessions of the 60s – a tightly crafted album that has a bit more jazz than usual ... LP, Vinyl record album
Sweet mid 70s work from Herb Alpert & The Tijuana Brass – still at the height of their powers on Coney Island – rolling effortlessly between upbeat, jazzy numbers and more laidback and melodic ones! This one has a pretty big sound overall, all produced and arranged by Herb, who is ... LP, Vinyl record album
A sweet late instrumental classic from the 60s glory years at A&M – and a record that's far different than some of the earlier work by the Baja Marimba Band! Sure, the group's still got plenty of their "fake" Mexican sound in place here – obviously they can't drop the ... LP, Vinyl record album
Herb Alpert's definitely Going Places by the time of this set – and his trademark Tijuana Brass sound proves itself to be a great fit for just about any sort of number! The album kicks off with the wonderful "Tijuana Taxi", a sublimely jaunty tune that almost takes Herb into ... LP, Vinyl record album
The genius of this set is summed up in the tune "Magic Trumpet" – perhaps one of the best estimations of Herb's talents we could think of! The tune, like the entire album, is a fluid bit of magic that takes an older brass-driven mode into the far groovier styles of the 60s – ... LP, Vinyl record album
Fantastic! This is Yma Sumac's rock album from the early 70's – and it's got a wild sound that's totally different from any of her work at Capitol! The record includes lots of electric instrumentation, and Yma's voice moves from the exotic to the psychedelic, as she sings along with some ... LP, Vinyl record album
Breezy bossa nova – Hollywood 60s style! The album's one of the best cut for Capitol by guitarist Laurindo Almeida – and has a sweet groovy little style that features Laurindo's lovely guitar work over some lightly dancing small combo backings that include flute, harmonica, organ, ... LP, Vinyl record album
One of Al Hirt's grooviest records – and a set that definitely lives up to the "soul" in the title! The album's always in demand for the excellent sample cut "Harlem Hendoo", but it certainly isn't a one tracker – thanks to composer Paul Griffin and arranger Teacho ... LP, Vinyl record album
This is one of Mort Garson's craziest moog records ever, or as the label says: "Moog Goes Supernatural with Eerie Electronics". Ostensibly a satanic sort of thing, this is actually a wild cool mix of moog and early synthesizer effects, over a bunch of original compositions with no sorts ... LP, Vinyl record album