Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Siri Ba Kele

CD (Item 898094) Sublime Frequencies, 2018 — Condition: New Copy
Out Of Stock

CD

❔

Rootsy grooves and heavy rhythms from Baba Commandant – an album recorded in Burkina Faso, and done with a nice blend of guitar, bass, and drums – plus plenty of work on balafon and n'goni! The steel tones of the n'goni ring out nicely next to the warmer percussive melody of the balafon – instantly setting up a pulse for each new song, which is filled in nicely with wider washes of sound from the guitar! Baba Commandant sings on most numbers, but also lets most of the tunes find their groove first – and titles include "Loga Fo Djelba", "Bobira", "Mantcha Mantcha", and "Siguisso".  © 1996-2019, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


Kalita, Late 70s/Early 80s. New Copy
Classic tracks from the short-but-strong music career of Julie Coker – a huge figure in Nigerian culture, both for her work onscreen and off! Coker recorded a handful of records at the end of the 70s – right at the height of her career – and the tracks here are from two of the ... CD

Bibi Den's Tshibayi

Sensible
Pharaway Sounds (Spain), 1983. New Copy (reissue)
A wonderful conflation of grooves all taking place in a single space – some of the West African modes of the late 70s, coming into play with more contemporary soul elements – all spun out over a quartet of long tracks that are filled with unusual grooves! Instrumentation is electric ... CD

Gboyega Adelaja

Colourful Environment
Nemi/Livingston (Nigeria), 1979. New Copy
A Nigerian soul classic from Gboyega Adelaja – an artist who spent a fair bit of time on the US scene in the mid 70s, where he clearly drank from the deep well of funk and soul! The album's got a vibe that's maybe a bit tighter and groovier than some of Adelaja's contemporaries – maybe ... CD
PMG (Austria), 1975. New Copy
CD...$6.99 16.99
The title's no like – as these guys definitely groove, and they're definitely funky too – a sweet 70s combo from the Lagos scene, and one who play with a very sharp edge at their core! Aktion make nice use of darker, downturning chords – which creates a moody feel to their funk, ... CD

Akwassa

La'Ila
PMG (Austria), 1975. New Copy
CD...$6.99 16.99
A stunner from the Afro Funk scene of the 70s – and the kind of record that makes us realize just how much greatness there is to discover! Years back, we thought we'd heard all the good cuts from the sub-Saharan continent – but a record like this really makes us sit up and take new ... CD

Sahara All Star Band Of Jos

Sahara All Star Band Of Jos
PMG (Austria), 1976. New Copy
CD...$6.99 16.99
One of the funkiest combos we've heard from the African scene of the 70s – and that's saying a lot, given how much great music was going on at the time! These guys really know how to lean into a long song, and open it up with incredible instrumental sharpness – a way of coming together ... CD

Kutimangoes

Afrotropism
Tramp (Germany), 2019. New Copy
The Kutimangoes keep on refining their groove with each new release – and really open up with a nice sense of variety from the usual Afro Funk mode! The horn section still has a strong role – two saxes, one trombone – but there are also both instrumental and rhythmic shifts from ... CD

Buari

Disco Soccer
Makossa/BBE (UK), 1979. New Copy
A killer blend of African roots and American rhythms – and a set that definitely lives up to the disco promised in the title! Buari's working here with a host of New York musicians – jazzy players who include Randy Brecker and Jon Faddis on trumpet, Barry Rogers on trombone, and ... CD
BBE (UK), Late 60s/Early 70s. New Copy
A fantastic collection of Ethiopian funk – rare singles from the late 60s and early 70s – all brought together as an amazing illustration of a time when the scene was really on fire! The music here has this incredible resonance between ancient and modern – local and global – ... CD

Tinariwen

Amadjar
Anti, 2019. New Copy
Tinariwen march out of the wilderness, and into a setting that allows for a lot of key collaborative talent – a lineup of guests that includes Warren Ellis, Cass McCombs, Stephen O'Malley, and others! The core sound is still very much the group's own – and, if anything, the project ... CD
Soul Jazz (UK), Mid 70s. New Copy
A fantastic collection of lesser-known gems from the 70s scene in Nigeria – music that's a great counterpart to better-remembered Afro Funk and soul from international giants like Fela Kuti and King Sunny Ade! This set digs deep, and is a nicelly expanded version of a set that Soul Jazz ... CD
Soul Jazz (UK), Late 50s/Early 60s. New Copy
A really tremendous collection of music – and one that really gets at the heart of the criss-crossing of Latin and African modes that took place on the Congolese scene of the 50s and 60s! Sounds and styles from Cuba and the Caribbean definitely influenced other African scenes, but they took ... CD
 



⇑ Top