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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
An amazing collaboration between rock group Spooky Tooth and French composer Pierre Henry – a great meeting of the minds that comes out sounding pretty darn groovy! Henry's right at the height of his "Psyche Rock" experiments here – and he inflects the band's darker style ... LP, Vinyl record album
A brilliant soul album! That's right, we said SOUL album! Bowie was at the height of his Ziggy Stardust fame when this one was recorded – a drastic left-turn in styles, forged during a point in his American tour when he could take a break, head to Philly, plug in at the Sigma Sound Studios, ... LP, Vinyl record album
A bit of jazzy magic from Fagen – stepping out from the cover of Steely Dan after the Gaucho album, and sounding pretty darn great on his own! The record is almost nostalgic, going back to a 50s of Brubeck, abstract expressionism, and pre-Castro Havana – filled with images that are a ... LP, Vinyl record album
David Byrne brings his love of funk and soul to the forefront – tightening things up a bit from before, but still staying strongly in a classic Talking Heads groove! The record's possibly the last of the group's initial classic run, and has a surprisingly soulful feel at times – a ... LP, Vinyl record album
A key early moment for Cabaret Voltaire – a set that has the duo getting a bit more tuneful and song-based than before – yet still more than willing to experiment plenty with their sound! All the cool analogue electronics are still very firmly in place – and mixed with some ... LP, Vinyl record album
A masterpiece of synth pop – and a landmark album for the Human League! The record took the group from the Brit post-punk underground to the charts of the world – with a stark blend of noisy keyboards, spare beats, and Phil Okey's wonderfully flat and monotone vocals. And although the ... LP, Vinyl record album
11 tracks: "Satellite Of Love", "Wild Child", "I Love You", "How Do You Think It Feels", "New York Telephone Conversation", "Walk On The Wild Side", "Sweet Jane", "White Light/White Heat", "Sally Can't Dance" ... LP, Vinyl record album
Early work from David Fathead Newman – so early, the cover has him listed as "Dave" on the front! The album steps nicely off Newman's early work with Ray Charles – and does plenty to establish him as a leader on his own – putting Newman's bold, soulful tenor right ... LP, Vinyl record album
Important mid 60s work from Ornette – and one of the few recordings of this format to see larger release at the time! The set captures Ornette in a much freer style than heard on his Atlantic recordings from a few years before – paying alto, violin, and trumpet, in a trio with David ... LP, Vinyl record album
One of the few albums ever issued by female alto player Vi Redd – a really unique artist, and a greatly overlooked talent from the time! Vi's got a wonderfully warm approach – and she often sings in addition to playing alto sax – with this vocal style that's really great, and ... LP, Vinyl record album
A great lost album from Eddie! The record was one of his few cut for Columbia – recorded between his early years at Vee Jay and his hit years at Atlantic – and it's an excellent little batch of cuts, with a tight Chicago soulful grooving sound, and a strong approach that mixes hardbop ... LP, Vinyl record album