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Acid Experience (3LP set)

LP (Item 894928) Still Music, Mid 90s — Condition: New Copy
3LP

The sound of Chicago acid house, all filtered through the energy of the west coast rave scene – which was home to DJ Spun and Dhyan Moller when they recorded these tracks! The music was originally done straight to cassette – which creates this nicely compressed sound that takes us back to the fidelity of early Trax Records 12" singles – whose stiff, crispy quality turned out to be a perfect fit for the acid house years! These tunes definitely live up to a Chicago acid mode – very spare, very minimal, with no vocals at all – and while we might miss some of the tweakier analogue keyboard lines from our favorite acid cuts, these numbers more than make up for that with a spaced-out hypnotic feel. Titles include "Grace", "Acid707", "Build Ah Bridge", "One", "DJ Spun Acid Experience", "UR Wild & Crazy", "The Other Space Ship", "Loan Me Your Spaceship Man", and "JMD A Newer One".  © 1996-2019, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


Various

Acid LP
Hot Mix 5/Still Music, 1988. New Copy 2LP (reissue)
A killer classic from a time when the Chicago house scene was really taking off – that second generation of underground productions that was tagged with the "acid" term, because of the way they were using older riffs and keyboards to change things up! The Brits got that all wrong, ... LP, Vinyl record album
Past Due, Early 80s. New Copy 2LP
The overlooked legacy of the Chocolate Buttermilk Band – a long-running combo from the North Carolina scene – one who opened for or backed up some of the biggest soul artists to visit their state – then created some great music on their own! Make no mistake, these guys are way ... LP, Vinyl record album
M Records/Still Music, 1986. New Copy 2LP
A classic compilation from the Chicago scene – one that stood as one of the key full-length releases of house music that was bubbling under in the Windy City – important at the time, as most other albums of house music were from overseas labels issuing Chicago recordings! As you'd ... LP, Vinyl record album

9th Creation

Love Crime EP
Track/Past Due, Early 80s. New Copy (reissue)
A rare later set from 9th Creation – done after their funk classics in the 70s, and with a nicely updated sort of groove! Side one is the "dance side" – and has the group working with more beats and basslines than before, but still finding a great way to keep all their charms ... LP, Vinyl record album

9th Creation

Bubble Gum
Rite Track/Past Due, 1975. New Copy (reissue)
A classic album of jazzed-up funk – the lasting legacy by this oft-sampled group! 9th Creation originally hailed from west of the Bay Area scene of the 70s – and this album was recorded in Oakland with the same sweet jazzy finish as work by some of the other big Northern California ... LP, Vinyl record album

9th Creation

Superheroes
Hilltak/Past Due, 1979. New Copy (reissue)
Fantastic funk from 9th Creation – a group who really tighten up their sound for this record, but still stay as wonderful as before! There's a totally right-on-the-money vibe to the whole thing – like the best Wayne Henderson/At Home productions from the late 70s – or maybe that ... LP, Vinyl record album
Numero, 1974. New Copy Gatefold
An amazing musical discovery – the lost second album from 24 Carat Black – recorded right after the band's legendary debut for Stax Records, but unissued for over 30 years! All the righteous styles of the group's famous Ghetto Misfortune's Wealth classic are fully in place here – ... LP, Vinyl record album
Numero, Late 50s/1960s/1970s. New Copy 6LPs/4CDs
A really really amazing package – the full story of the early years of Syl Johnson – one of the funkiest soul singers to ever come from Chicago! Syl's music has become the stuff of legend over the years – initially collected in rare funky 45s and two even rarer albums – ... LP, Vinyl record album
Pride/Mr Bongo (UK), 1973. New Copy (reissue)
A landmark album that is perhaps the single most influential beat source in hip hop! The record was the brainchild of bongo player Michael Viner – who also happened to be running the Pride subsidiary of MGM at the time. Viner's got a meeeeeean touch on the bongo, hitting it hard and funky ... LP, Vinyl record album
Warner (UK), Late 60s/Early 70s. New Copy 2LP Gatefold
Two albums' worth of tracks that set the Northern Soul scene on fire at the end of the 60s – American rare soul from back in the day, but tunes that were appreciated even more by the British soul audience – who helped some of these tracks achieve legendary status through their all-night ... LP, Vinyl record album
BRC/Demon (UK), 1975. New Copy (reissue)
The one and only album by Exit 9 – an obscure funk combo who recorded this rare set for Brunswick in 1975! The group is extremely tight instrumentally – working at a very fast funky clip that's kind of similar to work by Bohannon or Sound Experience – both of whom shared Exit 9's ... LP, Vinyl record album
Polydor, Early 70s. New Copy 2LP Gatefold (reissue)
One of the greatest albums ever from James Brown – even if it wasn't issued during his classic run of funk records in the early 70s! Yet the material here is all from that time – recorded by Polydor when James and the JBs were completely kicking ass in the studio – turning out ... LP, Vinyl record album
 



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