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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
One of Quincy Jones' best for Mercury Records in the 60s – a very groovy record that was done with a feel that's somewhere in between his Big Band Bossa album and his best 60s soundtrack work! The format is simple – Quincy picks a sweet batch of jazz semi-hits from the early 60s, plays ... LP, Vinyl record album
A very swingin, very groovy early album from Quincy – one that's clearly in the big band mode, but handled with soulful touches that really set it apart from the genre! The band is a great one all the way through – and the album features solos by Zoot Sims, Jerome Richardson, Phil ... LP, Vinyl record album
The Dude at the height of his powers – serving up a smooth blend of soul and jazz that set the standard for an entire generation! As with some of his other 70s albums, Quincy's working here with a host of great talents that make the record sizzle – guests that include Hubert Laws, ... LP, Vinyl record album
Wonderful 70s work from Gabor Szabo – a record that has him picking up a bit more of a soulful undercurrent, while still keeping all his great guitar work nicely upfront! The album has Gabor recording at the legendary Sigma Sound Studios – with help from Philly soul arrangers Richie ... LP, Vinyl record album
One of a series of albums Kenton arranger Rugolo cut for Mercury in the early 60s – 10 Trombones Like 2 Pianos, 10 Trumpets & 2 Guitars, and 10 Saxophones & 2 Basses – all making use of differing instrumental lineups to showcase Rugolo's amazing command of sound color and tone! ... LP, Vinyl record album
There's definitely lots of brass here – as you might guess from the title – but never so much so that it gets in the way of individual soloing by Maynard Ferguson! The date features Maynard working with arrangements by Willie Maiden, Al Cohn, Ernie Wilkins, and Bill Holman – all ... LP, Vinyl record album
A sweet Japanese-only release – one that brings together material from two rare 10" jazz albums, cut for Emarcy in the 50s! Side one features an early trio performance from pianist John Williams – and side two features an even more obscure set from guitarist Bill DeArango, with ... LP, Vinyl record album
One of the most ambitious records ever made by electronic wizard Patrick Gleeson – a huge talent on the moog and Arp, whose work was featured on key 70s jazz albums by Charles Earland, Joe Henderson, Bennie Maupin, and Herbie Hancock – and that's saying a lot, given that Herbie already ... LP, Vinyl record album
Post-Atlantic work from Robin Kenyatta – but an album that follows in a very similar mode! This date was done for the Wolf subsidiary of TK Records, but it's got a very hip New York groove – one that's almost even more righteous than some of Robin's earlier work, with some excellent ... LP, Vinyl record album
A fantastic record – one we shouldn't love as much as we do, and a set that's the crowning 70s achievement of Chuck Mangione! Mangione was the master of the smooth line on flugelhorn – and he really shines on the album's title track – done here at almost 10 minutes in length, ... LP, Vinyl record album