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CD, LP, Vinyl record album cover art

My Romance -- Sadao Plays Ballads

LP (Item 891136) Takt, 1967 

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We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible. All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.

With our Used CDs, you can expect the disc to be free of all but the lightest of surface marks — clean, and not dirty at all. You can also expect the case to be clean (we often change the cases ourselves — putting fresh cases on Used CDs we handle) — and you can expect the booklet to be in good shape, unless noted otherwise. We will list any specific details/defects underneath the item — so look for notes on cutout marks in the case, stamps on the barcode, or details like that.


You might be interested


Jazz & Bossa – Sadao
Columbia (Japan), Late 60s. Very Good+ 2LP
A collection of the late 60s work that Sadao Watanabe recorded for Takt Records in Japan – a mix of soul jazz and bossa tunes, with Sadao on flute and alto – titles that include "Corcovado", "From Russia With Love", "So Danco Samba", "White Wave", ... LP, Vinyl record album
Tokyo Dating
Warner (Japan), 1985. Near Mint-
A nice back-to-basics set, cut at a time when Sadao Watanabe was mostly doing electric work! The set features a hip quartet – with Sadao on alto, plus James Williams on piano, Charnett Moffett on bass, and Jaff Waits on drums! LP, Vinyl record album
Columbia (Japan), 1966. Near Mint-
Great early work from this legendary saxophonist – material that mostly features Sadao Watanabe with restrained backing from Toshiyuki Miyama and his New Herd – plus a few tracks with the trio of Kazuo Yashiro! We're not sure we've seen most of this material elsewhere – and Sadao' ... LP, Vinyl record album
Bossa Nova 67
Victor (Japan), 1967. Very Good
Jazzy bossa from 60s Japan – one of a few great albums made in the genre by saxophonist Sadao Watanabe, easily one of the best bossa jazz players in the east at the time! The style here is simple, subtle, and very much in the best spirit of similar records coming from the US – a kind ... LP, Vinyl record album
Recital
East Wind (Japan), 1976. Near Mint-
A great live set from Sadao Watanabe – one that shows the wealth of influences he'd been drawing on, from post-Coltrane spirituality, to African-oriented rhythms, to a slight bit of funk! The group's great – with Watanabe on flute, alto, and soprano sax, Takehiro Honda on Fender Rhodes ... LP, Vinyl record album
Mbali Africa
Sony (Japan), 1974. Near Mint- 2LP Gatefold
A fantastic live set of spiritual soulful post-Coltrane jazz! The great reed player Sadao Watanabe is playing here with a group that includes some of the best Japanese jazz musicians of the past 30 years – Takehiro Honda, Terumasa Hino, Motohiko Hino, and Isao Suzuki, among others. The ... LP, Vinyl record album
Takt/Columbia (Japan), Late 60s. Very Good-
A really great setting for the reed talents of the young Sadao Watanabe – as the music of Burt Bacharach and The Beatles give him a fresh showcase for his sound! The Bacharach material is handled a bit like Watanabe's take on bossa tunes – with fuller backings, but a strong focus on ... LP, Vinyl record album
Elektra (Japan), 1984. Near Mint-
A sweet fusion set from this legendary Japanese reedman – recorded in New York, with arrangements from William Eaton and Ralph MacDonald! LP, Vinyl record album
Jazz & Bossa
Takt (Japan), 1966. Near Mint-
Beautiful bossa nova from 60s Japan – groundbreaking work from the young Sadao Watanabe! Like one of his obvious influences, Stan Getz, Watanabe had a great role in bringing the bossa nova out of Brazil – taking a music that had already been introduced to Japan a few years before, and ... LP, Vinyl record album
Finger Popping
Takt (Japan), 1968. Near Mint-
A real finger-popper from Japanese pianist Kunihiko Sugano – a sweet 60s album that has him playing like the best American players of the soul jazz generation! There's a boldness to the left hand that echoes bits of Ray Bryant or Junior Mance – yet Sugano can also tipple the keys with ... LP, Vinyl record album
Swing Journal All Stars 67
Takt (Japan), 1967. Very Good Gatefold
An incredible moment in jazz in Japan – a year when things really rose up and came into their own – thanks to players like this! The album features tracks that include "Free Spirits" by a quartet with Terumasa Hino on trumpet and Hidehiko Matsumoto on tenor; "Love For ... LP, Vinyl record album
Atlantic, 1975. Very Good+ 2LP Gatefold
A great 70s album by Roland Kirk – one that features him working on a lot of short tracks, in a pretty crazy style! A number of the tracks feature Kirk's uniquely quirky reed style in full effect – often processed with added studio techniques, in a very nice way. And along side that ... LP, Vinyl record album
 



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