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Soul Symphony

LP (Item 8904) Blue Note, 1969 — Condition: Very Good-

The mighty Monk Higgins works some amazing magic here with the Three Sounds – taking them way past their standard trio modes of the 60s, into some really funky territory overall! The set's a definite symphony of soul – not just because the first side features a super-extended, suite-like tune – but also because all of the tracks feature fuller backings from Higgins, which really push the piano groove of the group! Drums are mighty heavy at points – thanks to trio member Carl Burnett – and the great Henry Franklin is in the group on bass, already crafting those wicked lines that would show up even more strongly on his albums for Black Jazz. In addition to flute from Buddy Collette, guitar from Freddy Robinson, and Gene Harris' super-heavy piano, there's also a bit of strings, and some slight backing vocals in the symphony from a trio that features Alex Brown, Mamie Galore, and Clydie King. The "Soul Symphony" cut runs for 26 minutes on side one – and other tracks include "Popsicle Pimp", "Repeat After Me", "Black Sugar", and "Upper Four Hundred".  © 1996-2019, Dusty Groove, Inc.
(Liberty pressing. Cover has a split top seam, splitting in the spine and bottom seam, and some stains on back.)

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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