Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Mama Groove

LP (Item 890374) Lorem Ipsum (France), Mid 80s — Condition: New Copy

A set that's maybe a bit different than other Nigerian grooves you might know from the early 80s – as Hycento Junior has a strong influence from American hip hop, and also a bit of reggae as well! Side one of the album feels almost as if it was lifted from the same scene as Grandmaster Flash and the Sugarhill Gang – with a very old school style of rhythm and rhyme, on cuts that include "JB Control", "Mama Groove", and "DJ Celebrate Mix" – all of which are more hip hop than soul all the way through! Side two complicates things a bit more – going for rhythms that are Kingston on two cuts, and a mix of Lagos and contemporary soul on two more – titles that include "Baby Why", "I Love You", "Apartheid War", and "Reggae Dub".  © 1996-2019, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible. All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.

With our Used CDs, you can expect the disc to be free of all but the lightest of surface marks — clean, and not dirty at all. You can also expect the case to be clean (we often change the cases ourselves — putting fresh cases on Used CDs we handle) — and you can expect the booklet to be in good shape, unless noted otherwise. We will list any specific details/defects underneath the item — so look for notes on cutout marks in the case, stamps on the barcode, or details like that.


You might be interested


Nanga Boko (France), 1977. New Copy (reissue)
The first album recorded by singer Nkotti Francois and his Black Styls group – a combo who'd been backing Nkotti for years in clubs in Cameroon, and who work here with a very sharp sound right from the start! The instrumentation is often a bit unique – organ and guitar sometimes used ... LP, Vinyl record album
Nanga Boko (France), 1979. New Copy (reissue)
Pascal Atangana is a hell of a singer – one who can move quickly, but with lots of deft changes – over the very dynamic rhythms provided by his excellent backing group! The set was originally issued as a part of a series to showcase the music of Cameroon in the 70s – but it's got ... LP, Vinyl record album

Emma Baloka

Freedom
Ketu (France), 1982. New Copy (reissue)
A funky little gem from Emma Baloka – a singer who worked in a few different groups in the 70s scenes between Nigeria and Cameroon, then cut this early 80s set on his own! Emma's got a groove that really shows his travels – often as skittish as it is funky, and not content to ever stay ... LP, Vinyl record album
Saigon Supersound, 1960s/Early 70s. New Copy 2LP Gatefold
The sound of Saigon during the Vietnam war – amazing homegrown sounds that are a great contrast to the overplayed American oldies that most folks associate with the period! It's true that US soldiers did bring a lot of their own music to the scene during the time – but the nation ... LP, Vinyl record album
Gila (Indonesia), Late 70s. New Copy
A fantastic flurry of funk from 70s Southeast Asia – music that's quite different than some of the Thai or Cambodian pop that's been oft-compiled in recent years – and which has a definite strong tie to American soul of the time, especially music from the world of cop, crime, and ... LP, Vinyl record album

King Bucknor & His Afrodisk Beat Organisation

Katakata (180 gram pressing)
Shanu Olu/Hot Casa (France), Mid 70s. New Copy (reissue)
A really tremendous record from the Lagos scene of the 70s – a set that's completely sharp from beginning to end, and which has the same sort of side-long jamming that you'd find on the best records by Fela Kuti at the time! King Bucknor's billed as "The Black Isaiah Of Africa" ... LP, Vinyl record album
Luaka Bop, Early 70s. New Copy 2LP Gatefold
A really mind-bending collection of African grooves – one that digs deep into the West African scene of the early 70s – and comes up with a massive batch of tunes that really opens up our understanding of the music! The sound here isn't just 70s Afro Funk – as the tunes include a ... LP, Vinyl record album
Luaka Bop, Late 70s/Early 80s. New Copy 3 LPs Gatefold
Grooves unlike anything else you've ever heard before – the rightly legendary musical legacy of William Onyeabor, one of the most enigmatic talents to come from the African scene of the 70s! The work here is all plenty darn funky, but it's also very different from familiar Afro Funk too ... LP, Vinyl record album

Chicago Afrobeat Project feat Tony Allen & Others

What Goes Up – Remixed
Future Rootz, 2019. New Copy
A great criss-crossing of sounds and styles – one that brings together African roots, contemporary funk, and a great array of dancefloor modes served up by the various producers on the project! The record reminds us a lot of some of our favorite French work in this mode from the start of the ... LP, Vinyl record album
Essiebons/Mr Bongo (UK), 1977. New Copy (reissue)
The funky Rob way is a massive one at that – a new path into Afro Funk modes for the 70s, with a groove that's made this set a collectors classic for decades! The group is tighter than most, yet more skittish too – percussion rattling alongside basslines that have these echoey ... LP, Vinyl record album
Figure & Ground, 2018. New Copy
A NYC combo with rhythms and traditions rooted in Colombia, and a unique psych-tinged , danceable sound! Raw rhythms anchor them a bit and provide deep roots while the powerfully soulful vocals by Carolina Oliveros and backing vocals by the rest of the group provide a soulful integrity, but ... LP, Vinyl record album
Ostinato (UK), Early 70s. New Copy Gatefold
Fantastic sounds from the Star Band Of Dakar – one of the leading lights of the new wave of Latin influence on the West African scene at the end of the 60s – presented here in a killer collection of work! The group have often been linked to the sounds of Cuba – which is clearly ... LP, Vinyl record album
 



⇑ Top