Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Tempus Fugit (Japanese paper sleeve edition)

CD (Item 889516) DIW (Japan), 2012 — Condition: New Copy
2CD Gatefold
$32.99 ...

CD

The first we've ever heard from Reiko Yamamoto – a heck of a vibist from the Tokyo scene – and one with a really great sound, especially on the album's more dynamic numbers! The group's a quartet – with guitar, bass, and drums – and Reiko can really dominate the sound in a great way, with echoes of Milt Jackson at some moments – but a stronger punch at other points too! Taichi Minagawa handles the guitar – with a strong sense of color that's perfect for the vibes, but also the right amount of rhythm to keep things moving, too – and titles include the originals "One Way", "Forty Miles", and "Hopes & Fears" – plus versions of "Workout", "The Midnight Sun Will Never Set", "Bernie's Tune"< "That's All", and "8lb 10oz".  © 1996-2020, Dusty Groove, Inc.
(2CD version – with the original album on one CD, and a remastered version on another!)

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


Yusuke Hirado (Quasimode)

Tower Of Touch
At Home Sound (Japan), 2020. New Copy
Fantastic Fender Rhodes from Yusuke Hirado – plus a fair bit of other keyboards too – all delivered in a set that mixes 70s space jazz funk with some great contemporary elements, and in a way that's nicely different than Hirado's work in the group Quasimode! The set's got some old ... CD

Isao Suzuki

Ako's Dream
Three Blind Mice/Craftman (Japan), 1976. New Copy
One of the wonderfully creative 70s sets from Japanese stringman Isao Suzuki – an artist who also plays bass, but who works here on jazz cello – for a very unusual approach! The set has Suzuki's work on the light strings matched in a combo with lead guitar from Kazumi Watanabe – ... CD

Bingo Miki & Tatsuya Takahashi

Scandinavian Suite
Three Blind Mice/Craftman (Japan), 1977. New Copy
A really cool blend of jazz and electronics – done up in some of the ambitious modes of composer Bingo Miki's other work, yet with a style that's a lot more straight ahead overall! The jazz component of the record is served up strongly by tenorist Tatsuya Takahashi – who leads a group ... CD

George Otsuka

Go On
Three Blind Mice/Craftman (Japan), 1972. New Copy
Excellent work from Japanese drummer George Otsuka – a set that has him stepping away from his previous piano trio modes, and really making some greater magic with a larger group! The combo here is a quintet – filled with bright young players that include Shunzo Ono on trumpet and ... CD

Yosuke Yamashita

Yosuke Yamashita Trio
Super Fuji Discs (Japan), 1973. New Copy
A fantastic 70s session from Japanese piano legend Yosuke Yamashita – originally issued only on reel to reel tape, and making its first appearance here in any other format! The material is blistering – the kind of work that instantly made Yamashita as important to his scene as Cecil ... CD

Harold Mabern Trio

Maya With Love
DIW (Japan), Early 90s. New Copy
Harold Mabern was one of the greatest under-discovered jazz talents of the 60s – playing on records with artists like The MJT+3, Lee Morgan, and others – and all these years later, he's still one of our favorite talents on the piano! This early 90s set for DIW features Mabern in a trio ... CD

Harold Mabern Trio

Mabern's Grooveyard
DIW (Japan), 1996. New Copy
Forget the hokey cover and title, because this set is one of Harold Mabern's best of the 90s – delivered with that subtle soulfulness that's always made us love his piano work so much! There's a beautifully stripped-down sense of lyricism to the set – as Mabern's work on keys dances ... CD
DIW (Japan), Late 80s/Early 90s. New Copy
The cover looks a bit punk rock, but the music here is all jazz – pulled from the great catalog of DIW Records – the groundbreaking imprint of Japan's Disk Union record stores! Back at the end of the 80s, the company really started to put its money where its heart was – and ... CD

Chicago Underground Quartet

Good Days
Astral Spirits, 2020. New Copy
A fantastic step in the continuing evolution of the "Chicago Underground" project of trumpeter Rob Mazurek and drummer Chad Taylor – soaring out here in a set that's full of spiritual energy and a level of imagination that even surpasses their classic recordings from years ago! ... CD

Posi-Tone Swingtet

One For 25
Posi tone, 2020. New Copy
One of the few large group sessions ever recorded by the Posi-Tone label, but a set that definitely keeps the soulful vibe of the well-respected imprint – as you might guess from the "Swinget" in the group's name! The lineup is a nonet, but moves with the energy of the smaller ... CD

Snorre Kirk with Stephen Riley

Tangerine Rhapsody
Stunt (Denmark), 2019. New Copy
Drummer Snorre Kirk has a great musical partner here – tenorist Stephen Riley, who blows with this warm, raspy tone that takes us back to classic Ben Webster in the postwar years! The pace of most tunes is nicely laidback, but never in a way that's too sloppy or loose – as Kirk's combo ... CD

Jeff Parker

Suite For Max Brown
International Anthem/Nonesuch, 2020. New Copy
Mindblowing music from Jeff Parker – sounds that we always knew were part of his core, but which have maybe taken most of his career to emerge! This album follows beautifully from Jeff's previous album for International Anthem – and like that one, it's an explosion of new and old ideas ... CD
 



⇑ Top