This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
We realize that there are many different interpretations of the standard grades used
for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with,
so you have an idea what we mean when we give the grade for a non-new item on our pages.
Used Vinyl Grades
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for
the cover should be assumed to be near (within a "+" or "-")
the grading for the vinyl.
If there is significant divergence from the condition of the vinyl, or specific flaws,
these will be noted in the comments section of the item. However, please be aware that
since the emphasis of this site is towards the music listener, our main concern is with
the vinyl of any used item we sell. Additionally, all of our records
are graded visually; considering the volume of used vinyl we handle, it is impossible
for us to listen to each record. If we spot any significant flaws, we make every attempt
to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
What can we say about this album that the rock literati hasn't already expounded on? Probably very little, but we can chime in with our agreement that this is without doubt one of best post-punk albums ever recorded! Spring-tight guitars, call-and-response vocals, and of course those terse, ... LP, Vinyl record album
Overblown for its time, and almost crushed under its own weight – but a record that's lasted surprisingly well over the years! Titles include "Sara", "Tusk", "Walk A Thin Line", "That's Enough For Me", "Brown Eyes", "Save Me A Place" ... LP, Vinyl record album
Twin organs back to back – and a heck of a hard-wailing set from Groove Holmes and Jimmy McGriff! The album cooks from the very first note – and features long tunes that open up with the same sort of solo-heavy approach that you'd get on Holmes' Prestige albums of the 60s – very ... LP, Vinyl record album
A killer set from Freddie Hubbard's legendary years on CTI! Like the classic Red Clay album, there's 4 tunes here, all longer cuts – where everyone gets a chance to stretch out a bit, over smooth (but not too smooth!) electric grooves, supported by great orchestrations from Don Sebesky! Ron ... LP, Vinyl record album
A great later effort from tenor sax giant Charlie Rouse – a record that's quite different than his 50s hardbop or his 60s modernist work with Thelonious Monk – but still pretty darn great in its own sort of way! The album features Rouse working with a larger ensemble in a batch of ... LP, Vinyl record album
The only Atlantic Records session from the Quartette Tres Bien – and a set that's got a bit more punch than some of their records for Decca! The groove here still features the compelling percussion/piano lineup of the combo – with Percy James on bongo and conga, Albert St James on ... LP, Vinyl record album
It's hard to overstate the influence of Max Roach and Clifford Brown on the west coast scene of the 50s – as the two players helped draw out the bop sound of LA that was quickly getting lost in the cool jazz shuffle of the time, and gave it a strength and focus that not only made the group ... LP, Vinyl record album