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This is what it says, that the record is still held fast in shrink-wrap.
We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't
look original, or if the record seems to have undergone some damage over time,
we'll probably take it out of the wrapper to ensure that it's in good shape —
which is why we don't have more of these. In some cases the shrink-wrap may be
torn in spots, but if it's not possible the record has been taken out and played,
the record will still qualify as "Sealed".
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Two of Horace's best late 60s groovers – both done with a hard-rolling soul jazz approach! "Psychedelic Sally" is particularly nice – with a strutting little hook that made the track one of the bigger Blue Notes of the time! 7-inch, Vinyl record
Funky funky Rufus! This one's a monster – with great drums, rolling bass, and riffing guitar that scratches up the whole dark track to keep it nice and funky! Rufus' vocals hardly get in the way, and the cut's one of his funkiest ever! 7-inch, Vinyl record
This is Hank's first version of the track, not the one produced by James Brown. That doesn't stop it from being nice and soulful, though – with a great rolling R&B groove that made it one of his best early moments! Killer vocals on both sides, too! 7-inch, Vinyl record
The Count takes on some 60s soul numbers – and the results are great! "Green Onions" is done here with piano instead of organ – over a slow-stepping, very sly groove that's got a real Soul Cargo sort of feel! 7-inch, Vinyl record