Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Pawnshop EP

LP (Item 884326) Four Flies (Italy), 1970 — Condition: New Copy
Temporarily Out Of Stock

LP, Vinyl record album

❔

A set that's billed as an EP, but which has more than enough funk and fuzz to top much longer soundtracks – thanks to great work from the legendary Braen/Raskovich studio combo! The group are really the brainchild of Alessandro Alessandroni – who plays guitar, bass, sitar, and even sings a bit – and Giuliano Sorgini – who handles drums, Hammond, and lots of percussion – both seasoned sound library maestros in their own right, but really set loose here under the guise of Braen to explore a unique blend of funk and psychedelia! The drums are amazing – truly heavy on most numbers, making for a super-funky set – and the use of moody guitar and sitar is wonderful, with lots of weird, wild shading – but always in a way that keeps things groovy throughout. Titles include "Please Don't Say No", "Carol", and both vocal and instrumental versions of the three tunes "My Shade", "Telegraph Is Callin", and "Laura What You Do". (Limited to 600 copies. Covers are variable in black and tan versions.)  © 1996-2018, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible. All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.

With our Used CDs, you can expect the disc to be free of all but the lightest of surface marks — clean, and not dirty at all. You can also expect the case to be clean (we often change the cases ourselves — putting fresh cases on Used CDs we handle) — and you can expect the booklet to be in good shape, unless noted otherwise. We will list any specific details/defects underneath the item — so look for notes on cutout marks in the case, stamps on the barcode, or details like that.


You might be interested


Preservation Tapes
Telephone Explosion (Canada), Late 60s/Early 70s. New Copy
A treasure trove of never-heard work from the legendary Bruce Haack – the electronic madman who made his own early synthesizers, and also created the seminal Electric Lucifer album too! These tracks are all from Haack's archive – newly-discovered, and just the tip of a gigantic iceberg ... LP, Vinyl record album
Pop World Orchestra
Count Melody (France), Mid 70s. New Copy
A fantastic funky overview of the music of Yan Tregger – an overlooked sound library genius, and one that we'd rank right up there with Bernard Estardy, Janko Nilovic, or some of the other great continental talents of the time! As with some of those others, Tregger's got a great way of ... LP, Vinyl record album
Clouds (180 gram pressing)
Flipper/Spettro (Italy), 1975. New Copy (reissue)
Very cool sounds from Pasquale "Lino" Castiglione – an Italian sound library composer we've never heard before, but who really soars out of the gate with a range of groovy styles! Some tracks here have a hip 70s funky jazz approach – complete with sweet keyboards and tight ... LP, Vinyl record album
Idee 1 (180 gram pressing)
Flipper/Spettro (Italy), 1972. New Copy (reissue)
A sweet little sound library album – of the sort that first got us digging for sound library records so many years ago! This one's got it all – some funky moments, some jazzy bits, and a number of cuts that remind us of our favorite Italian soundtracks from the period – served up ... LP, Vinyl record album
Rock
Transversales Disques (France), 1982. New Copy (reissue)
Never-released music by electroacoustic legend Bernard Parmegiani – created in his incredible studio, pictured on the front cover – and issued here for the first time ever! The sounds were created for a film in the early 80s – and they feature Parmegiani working on a beautiful ... LP, Vinyl record album
Circle Of Light (green vinyl pressing)
Trunk (UK), 1972. New Copy
A really unusual project from electronic music legend Delia Derbyshire – sounds that were created for a film of abstract photographic images, but which work beautifully here on their own! Partner Elsa Stansfield contributes a lot of core elements to the music – Derbyshire works in ... LP, Vinyl record album
Trunk (UK), Late 60s/1970s. New Copy
Beautiful sounds from overlooked British composer Basil Kirchin – a talent who's finally been brought to light by the Trunk Records label, who've done a great job of digging up some of his more obscure work, and finally getting it the attention it deserves! This package is a sidebar to those ... LP, Vinyl record album
Trunk (UK), Late 60s. New Copy
The grooviest version of Spider-Man you'll ever hope to hear – all music used in the schlocky late 60s animated series – with sounds that are way tighter and better-done than the stiff images on the screen! The music here is all from the vaults of the UK KPM sound library – and ... LP, Vinyl record album
Moogin At The Cafe
Moog Recordings Library, 2018. New Copy
A mighty nice meeting of giants – Scandinavian funk and jazz wizard Jimi Tenor, and the legendary Afro Funk drummer Tony Allen – coming together here in a set of duos that are way more than the sum of their parts! Tony plays live drums, and Jimi adds in lots of keyboards and ... LP, Vinyl record album
WRWTFWW (Switzerland), Early 70s. New Copy 2LP Gatefold
Two unreleased soundtracks from electronic genius Bernard Parmegiani – both surprisingly tuneful, although also equally abstract! The songs for Les Soleils De L'Ile De Paques are mostly in a cyclical mode – like more condensed versions of some of the long-spun keyboard experiments by ... LP, Vinyl record album
Cruisin' for Surf Bunnies
Light In The Attic, 1964. New Copy
One of the rarest Lee Hazlewood projects of the 60s, and one of the most unique as well – a set of surf-themed instrumentals, but served up with a nice current of exotica too! Given that Lee first rose to fame in the late 50s, for his excellent production of Duane Eddy's guitar – the ... LP, Vinyl record album
Evasion/Rocafort (UK), Early 70s. New Copy
Funky sounds from a very cool European label of the early 70s – a tiny imprint located in Switzerland, and one that seemed to have a golden touch right from the start! The label was rooted in rock, but always had a much funkier current overall – one that mixed heavy drums, rumbling ... LP, Vinyl record album
 



⇑ Top