Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

African Bass – Solo Concert Wilisau Jazz Festival 1978

LP (Item 883794) Sing A Song Fighter (UK), 1978 — Condition: New Copy
2LP Gatefold

Legendary South African bassist Johnny Mbizo Dyani, in a setting that's completely different than some of his other recordings – a sublime solo performance from the late 70s, and one that features Dyani sounding even more spiritual than ever! Johnny's music is always fantastic – and his contribution to The Blue Notes and many other avant groups has been well-documented on a string of wonderful records from the 60s, 70s, and 80s. But here, Dyani opens up in this very personal, very beautiful way that stretches back to his roots, embraces his role in the UK avant scene, but also comes across with this incredibly moving power that really blows us away. At some level, Dyani's a bit like Malachi Favors on the Chicago scene – an incredibly important part of a group, and one that always stands out – but, like Favors, also a person filled with warmth and personality that doesn't always get to shine as strongly in the company of others. Here, Johnny finally gets that chance – not just playing solo bass, but also piano, percussion, and vocalizing a bit – on titles that include "Le Ngo Ma", "Aba Limanga II", "Wish You Sunshine", "Afrikan Blues", and "Let The Music Take You".  © 1996-2019, Dusty Groove, Inc.
(Plays at 45rpm – for really great fidelity!)

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible. All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.

With our Used CDs, you can expect the disc to be free of all but the lightest of surface marks — clean, and not dirty at all. You can also expect the case to be clean (we often change the cases ourselves — putting fresh cases on Used CDs we handle) — and you can expect the booklet to be in good shape, unless noted otherwise. We will list any specific details/defects underneath the item — so look for notes on cutout marks in the case, stamps on the barcode, or details like that.


You might be interested


One Step Out
Nimbus/Outernational (UK), 1981. New Copy 2LP (reissue)
A great bit of work from the hip LA scene that centered around the Nimbus label at the end of the 70s – a collective who work together here with the same spiritual jazz modes you'd find on labels like Tribe or Strata East! The group features some bigger names from the scene, including some ... LP, Vinyl record album
Celebration
World Circuit/Matsuli (UK), 1992. New Copy 2LP Gatefold
Fantastic music from Bheki Mseleku – a South African artist who was one of the strongest forces keeping the spiritual jazz flame alive in the 90s – and one who sadly passed away before he could see the rest of the world re-embrace music this strong! Bheki plays both piano and tenor sax ... LP, Vinyl record album
Incus/Honest Jons (UK), 1974. New Copy (reissue)
Seminal work from Derek Bailey – solo guitar sounds that influenced an entire generation! The music here captures Bailey at a key early shift – a really bold move into territory that nobody had ever explored before – on both electric and acoustic guitar, and playing the ... LP, Vinyl record album
Incus/Honest Jons (UK), 1972. New Copy 2LP Gatefold (reissue)
A seminal record in the world of free jazz – a set that not only helped document the incredible talents of guitarist Derek Bailey, but also proclaimed a whole new role for his instrument as well! The music here is completely different than any jazz guitar in previous years – and even ... LP, Vinyl record album
Royal – Volumes 1 & 2 (with bonus tracks)
Incus/Honest Jons (UK), 1974. New Copy 2LP (reissue)
A seminal meeting between two of the most important modern jazz talents of the 70s – reedman Anthony Braxton, whose roots in the Chicago AACM scene were already expanding to a huge influence on the European world of free jazz – and guitarist Derek Bailey, the British player who ... LP, Vinyl record album
Sounds Almighty
Tradition Disc (UK), 2018. New Copy
A very different album than usual from the great tenorist Nat Birchall – a set that's no less soulful than his other records, but in a completely different way! The album's a collaboration with producer Al Breadwinner – and has this approach that feels like a lost Jamaican instrumental ... LP, Vinyl record album
CBS/Tiger Bay (UK), 1963. New Copy Gatefold (reissue)
Tremendous early work from German saxophonist Joki Freund – a player who would go onto much greater fame in the progressive years at the end of the 60s, but who already sounds plenty darn great on this early combo side from 1963! The style of the work is incredibly hip – with a ... LP, Vinyl record album
CBS/Tiger Bay (UK), 1964. New Copy Gatefold (reissue)
Brilliant modern jazz from German trombonist Albert Mangelsdorff – recording here in 1964, but sounding years ahead of his time, with an amazing a blend of jazz and Asian styles! The album's one of Mangelsdorff's best ever – a set of rhythmic tunes that seem clearly informed by the ... LP, Vinyl record album
Nation Time
CJ Records/Superior Viaduct, 1970. New Copy (reissue)
Wild early work from avant jazz genius Joe McPhee – and a set that's actually pretty darn funky too! This rare indie release features 3 long tracks – two of which were recorded live, with a tight combo that includes a very funky drummer! The album kicks off with the hard wailing " ... LP, Vinyl record album
Sound By Sound, Late 70s. New Copy
That's a pretty grey living space pictured on the front cover – an image from the Soviet-controlled years in Poland, when this material was recorded – but the group Crash really have a way of coloring things up with some very groovy elements in their music! The sextet is a fusion combo ... LP, Vinyl record album
Black Radio
Blue Note, 2012. New Copy 2LP Gatefold
An amazing new chapter in the career of Robert Glasper – one of our favorite new jazz musicians of the past decade or so! This set features loads of Glasper's enigmatic piano lines – those fluid, elliptical sounds that are always filled with plenty of soul and imagination – ... LP, Vinyl record album
Blue Note, 1957. New Copy (reissue)
John Coltrane's classic – and only – recording as a leader for Blue Note! The album's no throwaway date, though – as it stands strongly with both Coltrane's other label work of the time, and with the best of the late 50s Blue Note scene – a time when the label was really ... LP, Vinyl record album
 



⇑ Top