Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Boombox 3 – Early Independent Hip Hop, Electro, & Disco Rap – 1979 to 1983

CD (Item 882045) Soul Jazz (UK), Late 70s/Early 80s — Condition: New Copy
2 CDs
$18.99 ...

CD

List Price: 22.99

A mighty tribute to the days before iPods and headphones – when the only option for portable music was the boombox – a sonic powerhouse that ruled the streets and the subways, and seemed to create an instant party whenever it arrived! The tracks here are underground gems from back in the day of the boombox – the kind of cuts that should never, ever be played on earbods – and instead need to be rocked out of speakers that are as big as you could hope to find – preferably with the bass turned up as high as it will go! Music is mostly old school hip hop, but also has that mix of rhymes and vocals that was coming into play as the parties moved from the streets and parks into the recording studio – all to create the kind of cuts that would always sound best on the boombox! Titles include "Another One Bites The Dust" by Sugar Daddy, "Thumpin" by Brothers Disco, "Class A" by Majestics, "On The Move" by Mifflin Ensemble, "Get Fly" by TJ Swann & Company, "Low Rider Rap" by Poor Boy Rappers, "Teen Machine Rap" by Teen Machine, "Ms DJ Rap It Up" by She, "Rhythm Rock (part 1)" by The Caution Crew, "Smooth Talk" by Mr Fox, "Gigolo Rapp" by Disco Daddy & Capt Rapp, "Wack Rap" by Solid C Bobby D & Kool Drop, and "Rhapazooty In Blue" by Sicle Cell & Rhapazooty.  © 1996-2019, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible. All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.

With our Used CDs, you can expect the disc to be free of all but the lightest of surface marks — clean, and not dirty at all. You can also expect the case to be clean (we often change the cases ourselves — putting fresh cases on Used CDs we handle) — and you can expect the booklet to be in good shape, unless noted otherwise. We will list any specific details/defects underneath the item — so look for notes on cutout marks in the case, stamps on the barcode, or details like that.


You might be interested


Soul Jazz (UK), Late 70s/Early 80s. New Copy 2CD
The real sound of the old school, and the best beats from the streets – the kind of early underground hip hop tracks that still sound wonderful after all these years! These are tracks from the earliest years of the style – when funk was as much a part of the music as lyrics – and ... CD
Soul Jazz (UK), Late 70s/Early 80s. New Copy 2CD
Great cuts from the old school – pulled together from the earliest days of hip hop – at a time when the boundary lines in the music weren't so fully formed! These days, the difference between hip hop and club cuts is huge – but back in the South Bronx scene at the start, there ... CD
Soul Jazz (UK), Late 60s/Early 70s. New Copy
The hippest funky jazz from the start of the 70s – music that takes all the pride, power, triumph, and challenge of the 60s – and focuses into a bold new energy for a young generation! The work here draws equally from jazz and soul, with lots of other global influences coming into play ... CD
Chuwanaga (France), Early 80s. New Copy
Rare grooves from the British scene at the start of the 80s – catchy soul-based club tunes, served up in the same generation as Level 42 and Shakatak, but a lot more obscure overall! The music here has the UK artists really hitting their stride – no longer just copying American soul ... CD
Cultures Of Soul, Late 70s/Early 80s. New Copy
A pretty fantastic selection of rare disco tracks from the American underground – all of them infused with a spiritual message, but served up with grooves that go head to head with some of the best underground club of the time! The mix of positive energy and upbeat grooves is wonderful ... CD
BBE (UK), Late 60s/1970s. New Copy
Not a set of world music-inflected jazz – although there is a bit of that – and instead, a wonderful collection of spiritual numbers from around the world – most recorded in the 70s, at a time when barriers were really breaking down in jazz music! All tracks here are nice and ... CD
MPS (Germany), Late 60s/Early 70s. New Copy
A fantastic trip through the farther reaches of the MPS/Saba Records label – headed up here by the great Nicola Conte – who's taken plenty of inspiration from these tunes in his own music as well! As you'd guess by the title, there's a spiritual jazz approach going on here – but ... CD
Blue Note/Jazzman (UK), Late 60s/Early 70s. New Copy 2CD
A great look at a sometimes-forgotten side of the legendary Blue Note Records label – the company's strong wave of spiritual jazz material recorded during the 60s and early 70s – extremely fine music that's often eclipsed next to the company's better-known hardbop and funky jazz! As ... CD
P-Vine (Japan), 1970s/Early 80s. New Copy
Underground soul that goes deeper than most – a collection of some of the hippest tracks from the excellent Groove Diggers reissue series from Japan – a treasure trove of under-discovered indie soul albums from the American scene of the 70s! These tracks are funky, but aren't straight ... CD
Uno Melodic/Expansion (UK), Early 80s. New Copy
A fantastic tribute to one of the greatest soul labels of the 80s – the groundbreaking Uno Melodic imprint, started by soul legend Roy Ayers as a showcase for some of his more creative projects! The vibe here follows perfectly from Roy's classic late 70s work on Polydor – and his ... CD
Galaxy/BGP (UK), Late 60s/Early 70s. New Copy
An absolute funky monster! This set lays out an incredible batch of funk era singles from the vaults of Galaxy Records – and it shakes and burns all the way through, with lost funk bombs Bobby Rush, Rodger Collins, Bill Coday, Bobby Eaton, the Debonairs and others! It's comprised of mostly ... CD
BGP (UK), 1960s/1970s. New Copy
Funky female soul galore – a killer set of rare tunes that's one of the best sets of this type we've ever stocked! The SuperFunk crew at BGP have gone through the rich array of labels handled by the company – pulling out some massive tunes that really push our understanding of female ... CD
 



⇑ Top