This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
Classic Hammond work from female organ legend Shirley Scott – in her best mode of the 60s! Here's the reasons: 1) The group features husband Stanley Turrentine on tenor, adding in some nice extra tones to Shirley's usual trio! 2 ) The rhythm section is Bob Cranshaw and Otis Finch – ... CD
A real highlight from the early career of Art Tatum – mid-30s 78rpm material for Decca – presented here a lot better than later public domain pressings, with great notes and 20 tracks in all! CD
Maybe one of the greatest jazz albums of all time – a real breakthrough moment for the legendary John Coltrane, and the blueprint for generations of jazz records to come! Trane was already breaking down plenty of boundaries before Love Supreme – but he knocked it out of the park for ... CD
Features Michael Brecker on saxophones, electronic wind instruments, and keys – with Joey Calderazzo on piano, Jim Beard on synths, Victor Bailey on bass, Adam Nussbaum on drums, and Don Alias and Milton Cardona on percussion. CD
A surprising gem from Louis' later years – most famous for the title hit, but a great album all the way through! Louis is more of a singer than a musician on the set – and he's working with arrangements steeped in warmth and nostalgia – going for an instantly-ancient sound that ... CD
A tribute to Wes Montgomery, in case you can't guess by the title – with a number of tunes penned by Wes himself! Other players include Bob James on piano and keyboards, Dave Witham on Hammond B3, Harvey Mason on drums and percussion, and Alan Broadbent on piano. CD
A great statement from vibist Milt Jackson – one of his key solo sessions in a great 60s run of recordings away from the Modern Jazz Quartet! Like the classics that followed this one, the vibe is much more soulful than any of Milt's records with the MJQ – kind of an extension of the ... CD
Michael Dease on trombone, baritone saxophone, and percussion, Virginia MacDonald on clarinet, Geoffrey Keezer on piano, Luther Allison on piano and Fender Rhodes, Liany Mateo on bass, Colleen Clark on drumset and cymbals, Rodney Whitaker on bass, Joel Perez on trombone, and Kevin Jones and ... CD