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May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
50's sound effects record that features some pretty basic stuff – like a ping pong game, foghorn, trains, planes, sirens, subway train, roller coaster, thunder, and, of all things, "Laura" (?). LP, Vinyl record album
A very cool album – some unusual jazzy instrumentals, recorded in Chicago in support of a paper company! The musicians including a host of CSO and studio players, working in a mix of mod and easy instrumental styles – on titles that include "Harpanova", "Blue Line", ... LP, Vinyl record album
Later work from the Gus Giordano dance studios – a session that's not as funky as some of their earlier work, but still mostly original material played by a group of local Chicago studio musicians! The feel here is mostly an early 80s approach to jazz funk – smooth at times, with a ... LP, Vinyl record album
Elza Soares grooves things nicely here – working in a samba mode that's relatively traditional, but which is also warmed up by arranger Ed Lincoln! Ed's backings here are different than those used on his famous organ albums of the 60s – but they've got the equal sort of soul and swing ... LP, Vinyl record album