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May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
The vital debut of Guy Clark – and easily one of the greatest Texa-bred country records of the mid 70s! Guy was already developing a strong pedigree as a songwriter by this point, but much like his peer Billy Joe Shaver, the personal feel of the songs come across in a deeper way, when done ... LP, Vinyl record album
One of the better late 60s albums from this fantastic team – done at a time when RCA was maybe cutting out some of the mandolin solos by Jethro, but still letting the team shine with their undeniable charm! Includes their great tribute to the country scene – "Nashville Cats" ... LP, Vinyl record album
Chet Atkins is groovin, but in a yesterday sort of way – hence the title of this sweet set from the start of the 70s! The record still has plenty of that excellent Atkins guitar work right up front in the mix – picking and strumming with the sublime sound that Chet created in the ... LP, Vinyl record album