Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Nits De Jazz Al Jamboree (with bonus track)

LP (Item 878560) Edigsa/Wah Wah (Spain), 1968 — Condition: New Copy
(reissue)
❔

A rare set of Spanish jazz from the 60s – quite a treasure, considering how little jazz we've heard from Spain at the time! The group's tremendous – soulful and modern, at a level that matches some of our favorite Italian combos of the same period – with this strong lead work from Ricard Roda on alto sax and flute, and these beautiful lines on piano from Ricard Miralles – both players we don't know at all, but who really shine in the live setting of the album! The group also features bold bass from Enric Ponsa and drums from Joan-Josep Tuduri – and the group clearly have a love of the modal tendencies that hit American jazz at the end of the 50s, particularly in the work of Miles Davis and John Coltrane. Titles include Miralles own "Asteriscs" – worth the price of the album alone – plus "Kelly Blue", "Theme For Ernie", "Stella By Starlight", and "On Green Dolphin Street". Album also features the bonus track "Solar".  © 1996-2019, Dusty Groove, Inc.
(Limited edition of 500!)

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


Masahiko Satoh/Sabu Toyozumi

Aiki
No Business (Lithuania), 1997. New Copy
The great pianist Masahiko Satoh works here alongside the drums of Sabu Toyozumi – on two long tracks that really show both players at their sonic best! Satoh plays in a way that swings between structure and freedom – and his movements seem to be echoed by Toyozumi on the kit – ... LP, Vinyl record album

Evan Parker/Barry Guy/Paul Lytton

Concert In Vilnius
No Business (Lithuania), 2019. New Copy
This longstanding trio of musical partners really sounds wonderful here – attuned to the strengths and subtleties of each member – and able to open up with a beautiful sense of flow on the extended live improvisation on the set! All three musicians have always had as much of an ear for ... LP, Vinyl record album

Cosmic Eye (Amancio D'Silva)

Dream Sequence (180 gram pressing)
EMI/Roundtable (Australia), 1972. New Copy (reissue)
The most mindblowing work we've ever heard from guitarist Amancio D'Silva – a really freewheeling blend of jazz and Indian music, and a set that goes far beyond most of his other albums! The album definitely lives up to the dream sequence promised by the title – as it features one long ... LP, Vinyl record album

Sven Libaek

Music Of Sven Libaek
Festival/Votary (Australia), 1967. New Copy (reissue)
One of the earliest albums ever from the great Sven Libaek – an artist who'd be better known for his famous soundtrack work in the 70s! As you might guess from his name – Sven hails from Scandinavia – but he made most of his career and best music in Australia – and this ... LP, Vinyl record album

Anthony Coleman

Catenary Oath
No Business (Lithuania), 2019. New Copy
Solo piano work from Anthony Coleman – a really wonderful side of his talents, given full exposure here on a variety of shortish tracks! The music seems to echo that way of cascading and combining tones that Coleman does so well on reeds – but mixes up occasional bursts of frenzied ... LP, Vinyl record album

Bones (Ziv Taubenfeld/Shay Hazan/Nir Sabag)

Reptiles
No Business (Lithuania), 2019. New Copy
There's lots of wonderfully low tones on this set – not just the bass clarinet of Ziv Taubenfeld, but also the moody drums of Nir Sabag, and the deep-toned basswork of Sha Hazan – a trio of players we've never heard together before, but who really find their own special place in sound! ... LP, Vinyl record album
Crystal Clear/Roundtable (Australia), 1975. New Copy (reissue)
A heady set of jazz from the Australian scene of the 70s – a bit funky jazz, a bit harder jamming – and a record that's got a lot more edge than its contemporaries from the European scene! Ted White plays tremendous flute and alto sax here – the latter with a sharply spiritual ... LP, Vinyl record album

Whit Dickey/Kirk Knuffke

Drone Dream
No Business (Lithuania), 2019. New Copy
Kirk Knuffke is a trumpeter who always seems to sound best in a spare setting – which is definitely the case here, as he blows alongside drummer Whit Dickey – freely improvising these lines that sparkle with a surprising amount of lyrical beauty! The set's not the usual free jazz ... LP, Vinyl record album

Midori Takada/Kang Tae Hwan

Eternal Moment
No Business (Lithuania), 1995. New Copy
One of the freer, looser moments you'll ever hear from percussionist Midori Takada – especially if you only know her more conventional recordings from the decade before! Takada was always a percussionist with a bit of whimsy – but here, she's in a starker free improvisational mode ... LP, Vinyl record album

Bobby Bradford/Frode Gjerstad/Kent Carter/John Stevens

Blue Cat
No Business (Lithuania), 1991. New Copy
We never cease to be amazed at the sonic sensibilities of the cornet of Bobby Bradford – a musician who always seems to turn out stunning work, no matter what the decade! Here, Bradford is heard in an unissued live performance that features one long improvisation – but a piece that has ... LP, Vinyl record album
L'Arome/Heavenly Sweetness (France), Late 60s/Early 70s. New Copy (reissue)
Mad grooves from the Ethiopian scene of the 70s – featuring work by the enigmatic Mulatu, plus some of the other extra-cool artists on that country's groundbreaking soul and funk scene! Mulatu plays Fender Rhodes and organ on his tracks – grooving with a slow, snakey approach that's ... LP, Vinyl record album
Roundtable (Australia), 1971. New Copy
A beautiful and exotic score from the great John Barry – one that never had as much circulation on record as some of his bigger hits of the time, but which is equally well deserving of praise! The music is done for Nicolas Roeg's film Walkabout – set mostly in the Australian outback ... LP, Vinyl record album
 



⇑ Top