Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Mad Donato (Gozando A Existencia/Naquele Base/Janela Da Urca/Rarities) (4CD set)

CD (Item 877611) Discobertas (Brazil), 1970s/1980s — Condition: New Copy
4CD
Out Of Stock

CD

✈
❔

A huge addition to the 70s and 80s catalog of keyboardist Joao Donato – pulled from a time when the bossa genius wasn't getting as much time to record as before, but was still overflowing with fantastic new ideas! The set begins with a CD of rarities – including keyboard-heavy demos done around the same time as his albums Quem E Quem and Lugar Comum – then flows into three later albums that are all superb too – that post-bossa blend of jazz, electricity, and soulful currents that's continued to grow into later years too! Instrumentation is a mix of electric and acoustic albums, arranged with that brilliantly blue quality that Donato could do so well – and all the records are nicely understated, but extremely powerful too. Most tracks have vocals, but draw as much from the piano and keyboards as the lyrics – and titles include "Gol da Corei", "Palhacada", "Zra Zra", "Toshiro", "Olho D'Agua", "Na Raia", "Fim De Sonho", "Testamento", "O Fundo", "Naquela Base", "Nua Ideia", "Varanda", "Que Bobeira", "Baixo Zingu", "Lua Dourada", "Pelo Avesso", and "O Amor Se Derrama". 40 tracks in all – and an essential collection!  © 1996-2021, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


Miltinho

Mi Proprio Yo
Sonus/Discobertas (Brazil), 1964. New Copy
An unusual album from Brazilian singer Miltinho – one of his few 60s efforts recorded in Spanish, and issued by the Sonus label in the Dominican Republic! Backings are more Latin-styled overall – handled by Pocho Perez with a nice mix of percussion and brass, which underscores the ... CD

Lo Borges

Dinamo
Deck Disk (Brazil), 2020. New Copy
A really fantastic album from the great Lo Borges – and proof of that long-running adage about Brazilian singers – they never falter as they age, and most seem to be able to hold onto all that made them great in the first place – at a level that's very different from artists on ... CD

Marcos Valle

Cinzento
Deck Disk (Brazil), 2020. New Copy
One of our favorite Brazilian artists of all time – stepping out here with a record that really lives up to all the faith we've had in his music over the decades! Back at the start of the 90s, Valle had all but disappeared from the recording world – but since that time, he's continued ... CD

Carol Panesi

Em Expansao
Blaxtrea (Brazil), 2020. New Copy
Carol Pansei delivers a heck of a lot in the space of a small combo album – work on piano, violin, and flugelhorn – plus these really lovely wordless vocals that dip, turn, and glimmer around the tunes – almost in a legacy of Brazilian jazz that goes back to Flora Purim! The ... CD

Miltinho

El Diablo Y Yo
Sonus/Discobertas (Brazil), 1964. New Copy
An unusual album from 60s Brazilian singer Miltinho – one that features vocals in Spanish, not Portuguese – issued by the Sonus label in a pressing that was one of the few by the singer to ever get distribution up in the US! The backings are maybe more 60s Latin than Brazil, too – ... CD

Marcos Valle

Marcos Valle (1983)
Som Livre/Mr Bongo (UK), 1983. New Copy
Marcos Valle might look a bit sad and forlorn with all those fruity drinks on the cover – but the record itself is a wonderfully upbeat session, and one that's very much in the same modern soul mode of his 80s groove Vontade De Rever Voce! As on that record, the sound here shows strong ... CD

O Bando

O Bando
Polydor/Discos Mariposa (Argentina), 1969. New Copy
Heavy fuzz from late 60s Brazil – a Tropicalia-era album, but one with a slightly more mainstream groove – one that mixes elements of regional music with psychedelic elements and bouncy, mod-styled backings! The approach is somewhat like the work going on over at EMI/Odeon during the ... CD
Continental/Discos Mariposa (Argentina), 1972. New Copy
The second album from O Terco – the guitar-heavy power trio who were one of the hardest things going in Brazil during the early 70s! The album's got a style that's somewhat progressive, but which also still holds onto plenty of late 60s psychedelic elements – qualities both sweet and ... CD

Fabiano Do Nascimento

Tempo Dos Mestres
Now Again, 2017. New Copy
CD...$6.99 15.98
A really beautiful second album from Fabiano Do Nascimento – and a set that really blows away his debut! This record's got an "instant classic" vibe right from the start – the kind of set that you could easily listen next to 70s gems by artists like Lo Borges, Milton ... CD

Orquesta Afrosinfonica

Orin – A Lingua Dos Anjos
Think (Japan), 2021. New Copy
A really beautiful album – one that more than lives up to the promise of the group's name, but which is even greater than you'd expect! The approach here follows in a Brazilian tradition of mixing rootsy elements with greater instrumental sophistication – maybe in a legacy that would ... CD
Milestone, 1982/1983. New Copy
Sublimely soulful work from Azymuth – 2 albums back to back on a single CD! Cascades is fantastic fusion from a group who just couldn't miss during these early 80s California years! The sound here is smooth, but never slick – always a little offbeat, and quite different from more ... CD
Far Out (UK), 2006. New Copy
CD...$7.99 16.99
A Brazilian tribute to football – but one that's given a distinctly London twist – as core rhythms by Wilson Das Neves, Dom Um Romao, and others are mixed up and augmented by Da Lata, Zero dB, Roc Hunter, Fauna Flash, and Osunlade! The album's got a depth and compelling quality that ... CD
 



⇑ Top