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Esterno Notte Vol 2 – More Jazz-Funk, Late Nite Breaks, Cinematic Prog & Psych From The Italian Untapped Film Music Archives 1968 to 1978 (180 gram pressing – with bonus CD)

LP (Item 876610) Four Flies (Italy), Late 60s/1970s — Condition: New Copy
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Freaky funk from the Italian scene – exactly the kind of grooves that will open your ears if you think that funky sounds can only come from American soul bands or jazz musicians! The music here is filled with heavy drums, tight basslines, and lots of other groovy instrumental touches – offbeat keyboards, riffing guitars, and other instrumentation that's sometimes given these odd psychedelic touches by the studio maestros who were putting together the cuts at the time – some of which were used in obscure soundtracks, and a number of which appear here for the first time ever! This isn't the overly-familiar film music territory of other collections – and instead, most of this music is completely fresh – even for the longtime collector – presented in a great package that includes the cuts "Anastasia Mio Fratello" by Piero Piccioni, "Un Uomo Dalla Pelle Dura" by Carlo Pes, "La Mano Lunga Del Padrino" by Silvano D'Auria, "L'Arbitro" by Guido & Maurizio DeAngelis, "La Liceale Nella Classe Dei Ripetenti" by Gianni Ferrio, "L'Altro Dio" by Alessandro Alessandroni, "Giovane Clan" by Sandro Brugnolini, "La Profonda Luce Dei Sensi" by SEverino Gazzelloni, and "Calamo" by Claudio Tallino.  © 1996-2020, Dusty Groove, Inc.
(Limited to 500 copies – pressed on 180 gram vinyl and with bonus CD!)

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


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Piero Piccioni

Il Boom
CAM (Italy), 1963. New Copy (reissue)
Beautiful soundtrack work from Piero Piccioni – an early score, but filled with the kind of weird, offbeat sounds that have always made him a genius! There's a bit of a link here – between earlier Italian scoring, ala Nino Rota, and some of the later, modder sounds of Piccioni's late ... LP, Vinyl record album
Four Flies (Italy), 1975. New Copy
A sweet electric score from Luicano Michelini – and one that we might almost point to as an early entry in the keyboard sound of Italian horror films! The style's not as proggy or rockish as Goblin – and Luciano borrows maybe a bit of funk from some of the cop/crime scene – yet ... LP, Vinyl record album
Four Flies (Italy), 1969. New Copy
Overlooked genius from Piero Umiliani – a relatively sort record for a soundtrack, but one that packs a hell of a punch on all of its wonderful cuts! Umiliani is in his best late 60s mix of modes here – with some incredible keyboards at a few points, jazzy bossa bits on others, and ... LP, Vinyl record album
Cinevox (Italy), 1974. New Copy (reissue)
A funky soundtrack for this film about fist fighting – scored by the great Franco Bixio with the same sense of punch and power he brought to his crime and cop scores! The music's got this great blend of strings and pulsating passages – a sense of drama that's never overdone, and which ... LP, Vinyl record album
Cinevox/AMS (Italy), 1970. New Copy (reissue)
A sweet little island-based soundtrack from Piero Umiliani – one that's served up in just the right blend of exotica and jazz! Some elements here resonate with Umiliani's more familiar Italian scores of the time – some sweet keyboards that trip out nicely at a level that's a few ... LP, Vinyl record album

Sandro Brugnolini

Superground (180 gram vinyl)
Four Flies (Italy), 1969. New Copy (reissue)
Some of the trippiest sound library material we've ever heard from Sandro Brugnolini – in part because the core group here is a psychedelic combo, which might have led to a few of the tracks being used in a short animated film on Sharon Tate and Charles Manson! Yet as with most of the great ... LP, Vinyl record album
Four Flies (Italy), 1972. New Copy
This Godfather's got a mighty long arm – and a mighty groovy sound, too – one that includes some great leaping rhythms bubbling up with basslines, and plenty of fantastic vocals from both Edda Ell'Orso and I Cantori Modern! Edda sings in that wordless breezy style she brought to some ... LP, Vinyl record album

Stelvio Cipriani

Femina Ridens
CAM/Four Flies (Italy), 1969. New Copy (reissue)
A wonderful soundtrack from Stelvio Cipriani – penned for this 1969 Italian thriller with psycho-sexual overtones, and done with music that has elements of both! At some points, Cipriani has all the erotic touches of his best early 70s work – but at others, he uses late 60s modes that ... LP, Vinyl record album
Finders Keepers (UK), 1973. New Copy (reissue)
A dark little soundtrack that we'd pitch right up there with The Wicker Man or Rosemary's Baby – and one with a sound that's somewhere in between those two classics! The work was penned for an obscure early 70s film in the Czech new wave – and features music that's sometimes a bit ... LP, Vinyl record album

Masahiko Sato

Belladonna
Finders Keepers (UK), 1973. New Copy
One of the rarest albums ever from the mighty Masahiko Sato – a Japanese musician we love for his jazz, funk, and psychedelic sounds – all of which come into play on this unusual animated soundtrack! The music is plenty trippy right from the start – very offbeat, from the ... LP, Vinyl record album

Andrzej Korzynski

Possession
Finders Keepers (UK), 1981. New Copy
Amazing sounds from Polish composer Andrzej Korzynski – penned for a legendary horror film from the early 80s! The movie goes way beyond typical grit and gore – with a surreal bent that's made it the stuff of much discussion over the years – and Korzynski's music definitely lives ... LP, Vinyl record album
Finders Keepers (UK), 1971. New Copy
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