Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Woody Shaw Quintet Vol 1 – At Onkel PO's Carnegie Hall Hamburg 1982

CD (Item 875970) Jazz Line (Germany), 1982 — Condition: New Copy
Out Of Stock

CD

❔

Late live Woody Shaw – completely on fire, and spinning things out with the soaring spiritual energy of his early 70s albums on Muse! The setting is fantastic – long tracks that not only let Shaw blow with non-stop imagination and soulful lyricism, but which also have room for a young Steve Turre to really find his voice on trumpet – in a lineup that also includes Mulgrew Miller on piano, Stafford James on bass, and Tony Reedus on drums – all players who sound even better here on record than they do on paper! The material has only been issued to the market many years after Shaw's early passing, but we'd easily rank this with some of our favorite classics by the trumpeter – and we hope you'll agree after hearing the tunes "Katrina Ballerina", "To Kill A Brick", "Sunbath", and "Joshua C".  © 1996-2019, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible. All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.

With our Used CDs, you can expect the disc to be free of all but the lightest of surface marks — clean, and not dirty at all. You can also expect the case to be clean (we often change the cases ourselves — putting fresh cases on Used CDs we handle) — and you can expect the booklet to be in good shape, unless noted otherwise. We will list any specific details/defects underneath the item — so look for notes on cutout marks in the case, stamps on the barcode, or details like that.


You might be interested


Timeless/Solid (Japan), 1985. New Copy
One of our favorite Woody Shaw albums from his later years – and an album that's got the same joyous spirit and free soaring feel of his best 70s work! The core group on the album is the Tone Jansa Quartet – led by European reedman Jansa, and working in a space that's quite similar to ... CD
Live In Bremen 1983
Elemental, 1983. New Copy 2CD
We completely love the music of Woody Shaw – but unfortunately, the legendary trumpeter left this planet way too soon, and only gave us about 20 years of recordings! Fortunately, the vaults have yielded some gems like this over the years – unreleased live material that not only adds to ... CD
Elemental, 1981. New Copy
A fantastic gift from the gods – a lost live performance from one of our favorite trumpeters of all-time – and a set that has him really stretching out in all of his genius! Woody Shaw is really at the peak here – working in that soaring, spiritual mode that he virtually helped ... CD
Signature
ESP, 2019. New Copy
Matthew Shipp seems more tuneful here than ever at times – still very much able to let loose with those fluid, unbridled lines that have always made his work on piano so breathtaking – but also maybe ready to pull back occasionally, and let his instrument resonate in these surprisingly ... CD
Chicago Odense Ensemble
El Paraiso (Denmark), 2019. New Copy
A really unusual album of improvised music from the Chicago scene – one that's got a unique approach that makes it even greater than the sum of its parts! The music began when Danish musicians Jonas Munk and Jakob Skott came to Chicago – and had a chance to work with some of the city's ... CD
At The Hill Of James Magee
Trost (Austria), 2019. New Copy
Two fantastic saxophonists, recorded together in Texas with a very echoey vibe – in a space that we think is the image pictured in the cover! Even if Joe McPhee and Jon Butcher aren't playing in an abandoned house in the desert, they still sound pretty darn amazing – Joe on alto, John ... CD
Tour Vol 2
High Note, Mid 70s. New Copy
A tremendous document of a legendary group – one that was even better in a live setting than they were on record – and that's saying a hell of a lot, given the great records they left behind! The quintet here features trumpeter Woody Shaw at his most righteous – working alongside ... CD
San Francisco 1982
Hi Hat, 1982. New Copy
A late life live set from the mighty Dexter Gordon – done at a time when he'd returned to American soil, and was making some great albums for Columbia Records! The style here is maybe a bit more like some of Dex's albums from overseas – long tracks that really let the tenor giant ... CD
Live Tokyo 1978
Hi Hat, 1978. New Copy
Fully-electrified work from legendary drummer Tony Williams – every bit as searing as you might expect, given that the date features Brian Auger on keyboards and Ronnie Montrose on guitar! The rockish leanings of both of those musicians get plenty of space here, as does the basswork of Mario ... CD
Hi Hat, 1967. New Copy
A fantastic album from the great Don Cherry – and maybe one of the earliest examples of the way that he mixed together avant jazz and a globe's worth of influences on the European scene! The album features three long tracks – all seemingly improvised – very heavy on percussion, ... CD
1960 Duesseldorf
Jazz Line (Germany), 1960. New Copy
A really unusual performance from the mighty John Coltrane – recorded in Germany in 1960, with an amazing group that features Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums – stepping out from Miles Davis to give Trane a very special groove! These guys give the ... CD
Jazz Line (Germany), 1976. New Copy
Searing work from a 70s lineup of the Jazz Messengers – captured here in a nicely stretched-out live performance at the Moers Jazz Festival! The group features lots of youthful talent from David Schnitter on tenor and Mickey Tucker on piano – a great player who really matches the ... CD
 



⇑ Top