Scripting is disabled or not working. Please note that dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. Please note that dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Hank Jones In Copenhagen – Live At Jazzhus Slukefter 1983

CD (Item 875010) Storyville (Denmark), 1983 — Condition: New Copy
$13.99 ...

CD

List Price: 15.99

Previously-unreleased live work from pianist Hank Jones – from that magic moment when Jones was maybe flourishing even more than in his earlier years – thanks to new freedoms that were unlocked for piano trio modes in the 70s! Jones plays here with superb work on bass from the great Mads Vinding, and very open, sympathetic sounds from drummer Shelly Manne – who himself had grown a lot in the previous decade – and the longish tracks really have Jones working at his lyrical best – never overstating things, but also flowing with effortless ease. Tunes are all familiar, but beautifully opened up – and titles include "Alone Together", "Just Friends", "Au Privave", "Stablemates", "Tangerine", "Budo", "What's New", and "It Could happen To You".  © 1996-2018, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible. All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.

With our Used CDs, you can expect the disc to be free of all but the lightest of surface marks — clean, and not dirty at all. You can also expect the case to be clean (we often change the cases ourselves — putting fresh cases on Used CDs we handle) — and you can expect the booklet to be in good shape, unless noted otherwise. We will list any specific details/defects underneath the item — so look for notes on cutout marks in the case, stamps on the barcode, or details like that.


You might be interested


Pony Canyon (Japan), Late 80s. New Copy
A set of standards, but swung in a very inventive way by the Great Jazz Trio – a lineup here that features Hank Jones on piano, Mads Vinding on bass, and Billy Hart on drums! Both Vinding and Hart find a way to make the genius of Hank Jones sound even fresher than ever – not stale at ... CD
Pony Canyon (Japan), 1988. New Copy
Great work from a later chapter of the Great Jazz Trio of pianist Hank Jones – a time when the group had shifted to include Mads Vinding on bass and Billy Hart on drums – a rhythm duo who really make a difference in the sound! Hank is still wonderful on piano – able to mix round, ... CD
Berlin Concert
Intakt (Switzerland), 2018. New Copy
A nicely intense trio performance – featuring Angelika Niescier on tenor, working alongside the tight drums of Tyshawn Sorey and the nicely-shaped bass work of Christopher Tordini! The trio explore familiar territory here, but with lots of fresh flavors of their own – and the boldness ... CD
Hat Art (Switzerland), 2018. New Copy
Maybe the first work we've ever heard from Silvan Schmidt – a young trumpeter, but one who's already found his voice! Silvan is both the composer and leader on this date – and he has a way of blowing openly, with these gently flowing colors that build slowly, and share textures with ... CD
Symbol Systems
Hat Art (Switzerland), 1995. New Copy
The first-ever solo album from Matthew Shipp – a set that came as quite a revelation back in the 90s, and one that still sounds incredibly solid all these many years later! Shipp reveals himself as a very fresh voice on his instrument – a musician who grew up in a generation already ... CD
Copenhagen Live 1964
Hat Hut (Switzerland), 1964. New Copy
The first-ever proper issue of this amazing live material from 1964 – work that was recorded at the Club Montmartre in Copenhagen, right around the same time that Albert Ayler recorded his album for Debut Records – and a set that has his quartet in even more firey formation overall! ... CD
Tribute To Bobby
Challenge (Netherlands), 2018. New Copy
Vibist Steve Hobbs serves up a tribute to the late Bobby Hutcherson – but one that's not slavish in sound or spirit at all – which is very much in the best Hutcherson tradition! Instead, the music is all Steve's own – and is given a nod to Bobby, as he passed away right after the ... CD
Soaring
MPS (Germany), 1973. New Copy
A well-titled album from trumpeter Don Ellis – as the set soars to the skies from the very first note! The album's got a dynamic energy that almost beats Don's American work of the time – lots of funky rhythms, and a cool MPS groove that shows the label's strong 70s legacy of larger ... CD
Sentiments
Storyville/SeriE.WOC (Italy), 1971. New Copy
One of the coolest, most compelling albums we've ever heard from reedman Sahib Shihab – and that's saying a lot, given how much we love all his other music! This rare gem's got a very exotic feel –explained by Shihab in the notes as coming from a Tunisian influence on the leadoff track ... CD
Storyville (Denmark), 2018. New Copy
CD...$9.99 15.99
A great live presentation of the Experience quartet of pianist Carsten Dahl – one of his most dynamic settings of the past decade or so – filled with players who can easily match the energy of the leader! All tracks here are long and freewheeling – and often feature extended ... CD
66 67
Storyville (Denmark), 1966/1967. New Copy
CD...$8.99 15.99
Obscure work by an excellent trio from the Danish modern scene of the 60s – a combo who were strongly influenced by Bill Evans, but took his inspiration in very fresh new directions! Supposedly, their unique name comes from the album Bill Evans 64 – which was an inspiration to pianist ... CD
Sonorama (Germany), 1976. New Copy
A funky fusion classic! Second Direction are certainly not a household name – and the record has even more obscure origins than most, given that it was originally done as a small sound library project. Yet the quality of the set has given it a surprisingly wide reach with collectors and ... CD
 



⇑ Top