Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Air Condition – Polish Radio Jazz Archives Vol 28

CD (Item 874548) Polskie Radio (Poland), 1983 — Condition: New Copy
Out Of Stock

CD

✈

An album titled after the studio set Air Condition, by Polish saxophone genius Zbigniew Namyslowski – but which is actually a live date from the start of the 80s – done with a very freewheeling sound! Namyslowski was a key avant player in the 60s, got very spiritual in the 70s, and hit the 80s with a more electric approach to his music – but which still carried forward the charms from earlier years! Here, he blows alto and soprano sax with a group that features Marek Blizinski on guitar, Jan Cichy on bass, and Wojciech Gogolewski on piano and keyboards – on these long-spun tracks that sometimes remind us a lot of the late 70s electric work by Sonny Fortune on Atlantic. Titles include "The Tree Of Fear", "Piri Rim Pim Pim", "Signal Air Conditioner", "From The Bottom To The Top", and "Mr Chamberlin's Samba".  © 1996-2020, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


Polskie Radio (Poland), 1985. New Copy
Soaring work from a Polish ensemble of the 80s – a group who definitely have some of the free cooperation promised by their name – but also resonate with a range of other elements too! At some level, these guys remind us of the more inventive bigger bands that broke on the European ... CD

Kwintet Barowy (Jerzy Milian/Jan Ptaszyn Wroblewski)

Do Widzenia
GAD (Poland), 1959. New Copy
Early work from the Polish jazz scene of the postwar years – by a cool combo that features two key players who'd really explode in decades to come! The group features excellent work on tenor and flute from Jan Ptaszyn Wroblewski, and vibes from Jerzy Milian – both two of our favorite ... CD
Governor's State University/P-Vine (Japan), 1974. New Copy
A really wonderful album of obscure jazz recordings from the Chicago scene of the 70s – way more than just the usual school band record, as the tracks here are mostly originals, and performed by a very inventive group of musicians! Governor's State University was a very hip place at the time ... CD
GAD (Poland), Mid 70s. New Copy
Killer large group work from Polish jazzman Jerzy Milian – tracks recorded in East Berlin during the 70s, all with a style that mixes together the best modes of soundtrack funk with some of the groovier styles of the MPS big band scene! Milian's a vibist, but also has a great ear for larger ... CD
Raenii/P-Vine (Japan), 1982. New Copy
A wonderful bit of lost spiritual soul jazz from Chicago – recorded in the early 80s, but with a progressive and righteous feel that's very much in the 70s Strata East vein! The group's led by Billy Mahdi on tenor, soprano, and flute – and features Corky McClerkin on piano, Eldee Young ... CD
P-Vine (Japan), 1976. New Copy 2CD
One of Sun Ra's best non-Saturn live sets of the 70s – a nice little record that shows the group mixing it up with equal parts avant garde and straight ahead jazz, all handled in that ever-growing large group style that made them a real force to be reckoned with in a concert setting! The ... CD

Sonny Stitt

When Sonny Blows Blue
Jamal/P-Vine (Japan), 1970. New Copy
A sweetly funky little set from Sonny Stitt – one of his hippest albums ever, and a rare date cut for Ahmad Jamal's short-lived record label! The sound here is a great combination of the late 60s tone that Sonny forged on other east coast indies – and some of the hipper, more open ... CD
Crown/P-Vine (Japan), 1960. New Copy
An incredible record – and the kind of rare LA bop session that got totally lost because it was never packaged properly! This obscure set was issued by the Crown label under a number of names – both the Conte Candoli All Stars and Vince Guaraldi – and the group includes Conte ... CD

B Baker Chocolate Co

B Baker Chocolate Co
LC/P-Vine (Japan), 1979. New Copy
Pure genius from the B Baker Chocolate Company – a set that's equal parts fusion and soul, held together by these rich arrangements that really send the whole thing home! The album's never too slick, yet has a sense of perfection that matches some of the best soulful fusion dates at Blue ... CD

Henryk Kuzniak

Dzieciol
GAD (Poland), 1970. New Copy
An overlooked Polish soundtrack from the start of the 70s – scored for a comedy, but put together with a huge range of unusual and striking sounds! The record begins with a catchy theme – the sort that you'd hear in a Neil Simon comedy a few years later – but by track three, ... CD

Stevo

Musica Negra
PMG (Germany), 1978. New Copy
CD...$6.99 16.99
A real killer from the Atlanta soul scene of the 70s – a set that's even more underground than some of the underground classics we've come to love over the years – and one that's got some mighty top-shelf talent in the mix! Lead singer Stevo is only part of the package here – as ... CD

Apostles

Apostles
PMG (Austria), 1976. New Copy
CD...$6.99 16.99
Fantastic funk from The Apostles – a group who were easily one of the most hard-hitting on the African scene of the 70s – and one who definitely absorbed key currents from a range of American artists – from James Brown through Booker T & The MGs! The groove here is totally ... CD
 



⇑ Top