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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
The title's no lie, as the album's a lot jazzier than some of Arthur Lyman's other records – a bit more upbeat, and almost like some vibes-led combo from the LA scene of the 50s! Pianist Alan Soares has a strong role in the set – providing a bit more bite than usual for an Arthur Lyman ... LP, Vinyl record album
A lost gem from Brian Wilson's dad! As the cover says, "The talented father of the famous Beach Boys presents instrumental interpretations of his and other compositions." Basically, Murry was getting the squeeze from Brian, and this was Murry's way of saying "hey, I can do ... LP, Vinyl record album
Groovy guitar instrumental tracks by one of the biggest international talents of the 60's. Ingmann's guitar has a unique hard edged sound that's in keeping with American instrumentalists of the same type, but which has a cool overdubbed guitar sound that's a bit like Les Paul. Titles include ... LP, Vinyl record album
One of the greatest moog albums ever – all original sounds and tunes from the legendary Bruce Haack! Haack had spent most of the 60s doing small label kiddie records on his own, but this late 60s gem on Columbia is probably his best known work – a masterpiece of short and groovy little ... LP, Vinyl record album
Jackie Gleason keeps things nice and sweet – updating his older theme with the more mellow, more laidback "for lovers" approach he was using in the late 60s! The album features nice solo work from Charlie Ventura on tenor and Pee Wee Erwin on trumpet – both well-voiced ... LP, Vinyl record album
Groovy stuff from Sandy Nelson – one of his best albums ever! Despite the title, this isn't exactly the Latin soul adventure you might think – but it is a nice batch of drum-heavy instrumentals, with a good soul boogaloo beat to them. The best tracks are the ones with "boogaloo&qu ... LP, Vinyl record album
This is John Keating's electronic masterpiece – and it's filled with a fantastic mix of funky rhythms, big band orchestrations, and wild spacey electronics! The record was one of the EMI Studio 2 gems that got the whole Sound Gallery going, and it still sound great today. There's a few ... LP, Vinyl record album
The first-ever album from Henry Mancini – and a wonderfully spooky set! The style here is quite different than most of Hank's better-known film work and instrumental hits – as the record is very moody and laidback – cut with a slow-moving, dreamy sort of darkness that's really ... LP, Vinyl record album
Revolutionary pop from 60s Paris – a seminal set by one of our favorite French artists ever! Michel Polnareff sounds every bit as great as he looks on the cover – a slightly long-haired singer who plays acoustic guitar along with his vocals – but never in any familiar folksy ways ... LP, Vinyl record album