Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

500 Atlantic R&B & Soul Singles Vol 5 – 1967 to 1968

CD (Item 873130) Atlantic (Japan), 1967/1968 — Condition: New Copy
2CD
Out Of Stock

CD

✈

Think you know the sound of Atlantic Records in the 60s? Think again – because this stunning series opens the vault to a huge amount of rare treasures from the legendary label! The package is amazing – and offers up rare tracks that were mostly only issued by Atlantic on singles – including some on the other imprints associated with the company – some by names we never even knew recorded for the label, others by bigger names, but represented here by obscure material that goes way past their hits – and which is ultra cool because of that. There's also a fair bit more deep soul than you might expect from the usual Atlantic mix – tremendous vocals, and often in less hit-heavy modes – which makes the whole thing a great revelation – and just one more reason to bow down and give even more expect to one of the key companies who helped soul music find a home in the 60s. Plus – as if that's not enough – the whole thing comes in a very cool 7" gatefold package – which emphasizes the from-singles nature of the collection. Volume 5 is overflowing with goodies – titles that include "Soul Power" and "Sly Girl" by Derek Martin, "Tryin To Reach My Goal" and "Sufferin City" by Johnny Copeland, "What's Going To Happen To Me" by Jeanne & The Darlings, "Thank You Baby For Loving Me" and "I Can't Live Without You" by Soul Brothers Six, "That Kind Of Lovin" and "She's About A Mover" by Otis Clay, "The One You Can't Have All By Yourself" by Shirley Walton, "Can't Find No Happiness" and "A Great Big Thing" by Barbara Brown, "Somebody Needs You" and "Baby What You Got" by Darrell Banks, "Please Operator" by Tony & Tyrone, "Ain't Got No Girl" by William Bell, "Let Me Down Easy" by Alvin Robinson, "Whatcha Gonna Do About It" by Ben E King & Dee Dee Sharp. "Don't Get Caught" by Mable John, "Here I Am" by Linda Lyndell, "It's You For Me" by The Amazers, and "Need Your Love So Bad" by Solomon Burke.  © 1996-2020, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


London/Big Pink (Japan), 1976. New Copy
One of the best-remembered albums from the Olympic Runners – not the shorts-clad ladies on the front cover, but a UK funk combo with a mighty sharp edge! These guys are best when they're really laying into the groove – hitting hard with the bass, following with the drums, and peppering ... CD
Brunswick/Ultra Vybe (Japan), 1963. New Copy
A hard soul groove from the great Jackie Wilson – and a record that really has the singer coming into his own! The music is tight, upbeat, and mighty rocking right from the start – and Wilson takes off with these tremendous vocals that are undeniably some of the greatest in early soul ... CD

Freda Payne

Reaching Out
Invictus/Ultra Vybe (Japan), 1973. New Copy
It's a few years after Freda's big hit "Band of Gold", and she's recording here in a very different mode! The record is produced by Holland-Dozier-Holland, with arrangements by a number of different talents, like McKinley Jackson, Tony Camillo, and Michael Smith – and the overall ... CD

Betty Wright

Hard To Stop
Alston/Ultra Vybe (Japan), 1973. New Copy
A deep soul classic from Betty Wright – one of her earliest albums of the 70s, and a Miami soul landmark that was one of the greatest female southern soul records of the time! Although Betty was well known for her earlier hit "Clean Up Woman", she didn't give into that fame – ... CD
Brunswick/Ultra Vybe (Japan), Early 70s. New Copy
Killer cuts from the legendary Hamilton Bohannon – an artist who first broke big on the Brunswick label with a really unique approach to a groove! Bohannon's cuts were always funky, but never straight funk – and instead, he had this minimalist way of layering together elements that was ... CD

Little Beaver

Joey
Cat/Ultra Vybe (Japan), 1972. New Copy
An excellent early album from the amazing Little Beaver – a set that's also probably one of his best ever – served up with some extra-dope guitar, and nice deep Miami soul production by Steve Alaimo! Beaver handled all the arrangements – which means that there's plenty of room ... CD
Atlantic/Soulmusic.com (UK), 1960s. New Copy 3CD
Damn fantastic work from Barbara Lewis – one of our favorite soul singers of the 60s, and an artist who's a bit unlike anyone else! Lewis hails from the Detroit area, but also did a fair bit of early recording in Chicago – and in a way, her sound is maybe a mix of the class of Motown ... CD

Average White Band & Ben E King

Benny & Us (with bonus tracks)
Atlantic/Ultra Vybe (Japan), 1977. New Copy
Ben E King joins the Average White Band for this sweet 70s set – a killer record that not only stands as one of King's best efforts of the decade, but one that also gives the group a great new frontman! Ben's not the only singer on the record, but his presence here can definitely be felt ... CD
Atlantic/Soulmusic.com (UK), 1960s. New Copy 5CD
A fantastic collection of work from the legendary Esther Phillips – one of the most distinct voices in soul music, captured here during some key moments in her career! The box is huge – and begins with a full CD of tracks from Esther's initial years on Lenox Records – a label ... CD
Atlantic/Soulmusic.com (UK), Mid 60s. New Copy 3CD
Essential work from the legendary Solomon Burke – one of the greatest singers to record for Atlantic Records during the 60s – and an artist we'd put right up there next to Aretha Franklin or Otis Redding! Like both of those giants, Solomon has a style that's completely his own – ... CD
Atlantic, Late 60s. New Copy 2 CDs
A long-overdue look at the 45rpm legacy of Aretha Franklin at Atlantic Records – a set that brings together all the great singles she cut during her early years at the label – some of which you'll know as the cornerstones of her albums from the time, others that are maybe a bit more ... CD
Atlantic/Wounded Bird, Late 70s. New Copy 2 CDs
A prime pair of late 70s classics on Atlantic Records from Brides Of Funkenstein – a funky female group from the P-Funk empire – back-to-back with bonus tracks! The Brides are one of George Clinton's few girl-based projects of the 70s, and a group who are markedly more funk-based than ... CD
 



⇑ Top