Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Creation One

CD (Item 871838) Lirs/Everland (Austria), 1972 — Condition: New Copy
Out Of Stock

CD

✈

That's "Danser", not "dancer" – as in John Danser, who's also best known for a groovy jazz album under his own name! This sweet little set from the early 70s may well be John's best album ever – a wonderful blend of funky grooves and these wonderful raspy vocals – completely charming, and with a quality that's hard to describe, but really really great! There's a wickedly offbeat feel to the record that keeps us coming back – at some level the funky big band grooves of the MPS 70s generation, but mixed with a more sensitive independent American vibe too – especially given that some of the lyrics remind us a bit of Matthew Larkin Cassell. Danser plays tenor, and leads the group – the vocal cuts (about half the album's tracks) feature Randy Maddison singing. Titles include the classic "Sombre Guitar", plus "Inferno", "And Once My Love", "Badinage", "Time Is Laughing", "Sunday Morning", and "Turning The Corner".  © 1996-2020, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


Blue Note (Germany), Mid 60s. New Copy 5CD
Five very different albums from the great Wayne Shorter – all from a time when he was really taking off with his music! Night Dreamer is one of the greatest Wayne Shorter albums for Blue Note, and one of our favorite jazz albums ever! The record is a masterpiece of lyrical delight – ... CD
Impulse, 1963. New Copy 3CD
1964 was the year The Beatles invaded America, but 1963 was the year that John Coltrane revolutionized jazz – thanks to the Impulse Records sessions contained in this set! The package features the entire run of recordings that Coltrane did for Impulse in 1963 – including alternate ... CD

John Surman & Jack DeJohnette

Amazing Adventure Of Simon Simon
ECM (Germany), 1981. New Copy
John Surman's a player who always shines brightly in any sort of a duet setting – as you'll easily hear in this early 80s session cut with drummer Jack DeJohnette! The work has a slightly composed, slightly improvised feel – with Surman on soprano, baritone sax, bass clarinet, and ... CD

Resolution 88

Revolutions
Legere (UK), 2019. New Copy
A funky electric gem from Resolution 88 – a UK group who sound better and better each time we hear a new record – and who really continue an exploration of their core sound – which draws heavy inspiration from 70s classics by Herbie Hancock, Jerry Peters, Don Blackman, and the ... CD

Ken Fowser

Morning Light
Posi tone, 2020. New Copy
A brilliant record from tenorist Ken Fowser – a player who seems to grab our attention more and more with each new record – both as a soloist and as a rock-solid leader who always brings something special to a session! Ken dedicates this record to the inspiration of pianist Harold ... CD

Robert Glasper

F**k Yo Feelings
Loma Vista, 2020. New Copy
Easily the most powerful album cover and title to date from the mighty Robert Glasper – an artist who's evolved so much in recent years, he's shifted from the world of conventional jazz to the role of an elder statesman in funk, soul, and hip hop as well! This album's got all of those sides ... CD

Angel Bat Dawid

Oracle
International Anthem, 2019. New Copy
Beautiful solo sounds from Angel Bat Dawid – a Chicago clarinetist who works here with the same inventive spirit as the other contemporary artists on the International Anthem label! By that, we mean that although Angel's music starts in jazz, it quickly becomes something else – as she ... CD
MGM/Esoteric (UK), Late 60s. New Copy 5CD
A fantastic package of work from The Animals – all their great second chapter albums for MGM, offered up here with bonus tracks too! First up is Winds Of Change, presented in both stereo and mono mixes – one of The Animals' most psychedelic outings ever – and also a bit funky at ... CD

Colours

Colours
Dot/World Psychedelia (Korea), 1968. New Copy
One of the best American psyche albums we've heard from the late 60s – a near-perfect record that's head and shoulders above the rough experimentation of most other groups from the period! Colours spell their name with a definite British twist, and there's clearly a Beatles influence going ... CD

Nostradamos

Nostradamos
World Psychedelia (Korea), 1972. New Copy
The only record from Greek psychedelic folk combo Nostradamos – with a gleefully diverse sound augmented by impeccable female/male lead and harmony vocals – and tunes that run the gamut from delicate, classical bits to lumbering proggy heaviness! The vocals really keep the disparate ... CD
Beat (Italy), 1963. New Copy
A much more sensitive western soundtrack than you might expect – one that mixes light woodwind and string melodies with a few passages of more driving action – yet even those seem to have a brightness that's a bit different than usual for the genre! The whole thing is maybe one of the ... CD
BGO/Capitol (UK), 1970s. New Copy
CD...$8.99 16.99
A pair of Capitol Records killers from Merle Haggard – back to back on a single CD! First up is A Portrait Of Merle Haggard – a 1969 album that shows just how much he'd grown and matured during his 60s years at Capitol Records – and almost a celebration of all that time, given ... CD
 



⇑ Top