Scripting is disabled or not working. Please note that dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. Please note that dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Complete Syllables (4CD set)

CD (Item 867871) Pleasure Of The Text, 2017 — Condition: New Copy
4CD
Temporarily Out Of Stock

CD

❔

A huge box of work from trumpeter Nate Wooley – a package that features two albums that were previously issued on small overseas labels, and two more that appear here for the first time ever! The music has a very unified vibe throughout – as every one of the recordings features Wooley in a solo mode – two with just acoustic trumpet, which really shows off his amazing sense of sound and timing – one more with an amplifier and the trumpet, and one more with prepared tapes – in a set dedicated to experimentalist Kenneth Gaburo! The whole thing comes in a box, with detailed notes on the material – and selections include "[8] Syllables", originally issued on the Peira Records label; "[9] Syllables", originally issued in the Mnoad label; and the unreleased "For Kenneth Gaburo Part One (acoustic)" and "For Kenneth Gaburo Part Two (electro-acoustic)".  © 1996-2018, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible. All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.

With our Used CDs, you can expect the disc to be free of all but the lightest of surface marks — clean, and not dirty at all. You can also expect the case to be clean (we often change the cases ourselves — putting fresh cases on Used CDs we handle) — and you can expect the booklet to be in good shape, unless noted otherwise. We will list any specific details/defects underneath the item — so look for notes on cutout marks in the case, stamps on the barcode, or details like that.


You might be interested


Montreal 88
Hi Hat, 1988. New Copy
Fantastic live material from alto genius Jackie McLean – recorded at a time when his talents had fallen a bit from the spotlight, but his fire hadn't dimmed at all! The set's a searing one, right from the start – presented in a Canadian radio broadcast, with a bit of French language ... CD
We Now Create
Victor/Monkey Dog (Germany), 1969. New Copy
Some of the wildest sounds we've ever heard from Japanese drummer Masahiko Togashi – a set that really lives up to its title's promise of immediate creative activity, as the whole thing feels as if it was spontaneously improvised throughout! There's definitely a free jazz approach taking ... CD
Hi Hat, 1979. New Copy
A great live set from one of the most unusual periods in the career of alto saxophonist John Handy – a time when he was working with a group of Indian musicians, in a great fusion of jazz and world styles! The Rainbow Band was really one of Handy's most creative endeavors – and this ... CD
Vanished Gardens
Blue Note, 2018. New Copy
One of the most unusual criss-crossings of styles that we've ever heard from saxophonist Charles Lloyd – and that's saying a lot, given all of his unusual projects over the years! This set follows from Lloyd's previous album with his Marvels group – a richly American blending of jazz ... CD
History Of Nothing
Trost (Austria), 2018. New Copy
Breathily-blown brilliance from tenor saxophonist Rodrigo Amado – working here in a very well-matched frontline that features the mighty Joe McPhee on pocket trumpet and soprano sax – both instruments he uses with a deftness that takes us back to is early albums on Hat Hut! Both ... CD
Strata East/P-Vine (Japan), 1974. New Copy
Sublime spiritual jazz from Strata East – one of the label's rarest recordings, and one of its hippest too! The set has an incredibly righteous feel – a blend of keyboards, saxes, guitar, percussion, and vocals that steps off with a very deep feel – one that's heavy on the best ... CD
Tribe/P-Vine (Japan), 1972. New Copy
One of the rare early albums on the Detroit based Tribe label, now made legendary by the compilations on Soul Jazz and P-Vine. Tenor player Wendell Harrison leads a group that includes Marcus Belgrave, Charles Eubanks, and Phil Ranelin, and which features occasional poetry by the "Black ... CD
Paula/P-Vine (Japan), 1973. New Copy
A lost chapter in the career of the Art Ensemble Of Chicago – an obscure early 70s album, issued by the mostly-blues Paula Records label in Louisiana, and one of the hardest to find albums in their catalog! The album features 3 long tracks – "Chi-Congo", "Enlorfe", ... CD
Scandal
Greenleaf, 2018. New Copy
A beautiful collaboration between trumpeter Dave Douglas and saxophonist Joe Lovano – a record that has both musicians really hitting the heights of their creative powers! Dave's got this angular, edgey feel that takes us back to his earlier records – not that we haven't liked his ... CD
Agogo (Germany), 2018. New Copy
A great little idea for a project – one that has groovy sounds from the Agogo label reinterpreted by jazz arranger Lutz Krajenski – but always in a way that hangs on to all the soul of the originals! Lutz plays some really wonderful keyboards – deeply soulful throughout, in a ... CD
Nasty Gal
Island/Light In The Attic, 1975. New Copy
The biggest-label release ever cut by 70s funk legend Betty Davis – but a set that's every bit as hard and heavy as the indie dates that preceded it! Davis is at the top of her form here – bad-stepping amidst the heavy drums and freaked-out guitars that easily made her one of the ... CD
Soundway (UK), 1970s. New Copy
Afro Tropical Soundz – and well chosen sampler of stellar tracks from Soundway compilations – some of the best global grooves releases of the past decade – with Afrobeat and funk from Ghana, Columbian grooves, Afro & Latin sounds from the French Carribbean, Psychedelic Afro ... CD
 



⇑ Top