This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
One of the hippest takes ever on the Porgy & Bess score – done in duet format by Ella Fitzgerald and Louis Armstrong, in a fuller spirit than their other albums for Verve! Like many late 50s albums of Gershwin's score, this one was issued in advance of the film with Sidney Poitier – ... LP, Vinyl record album
(70s tan label MCA pressing. Cover has some ring and edge wear, yellowing from age, splitting in the seams, and a small peeled spot in back.)LP, Vinyl record album
One of the nice records made by Joe during his funky comeback of the late 60s/early 70s. He's singing here in a setting that's decidedly hipper than on earlier albums – with the early 70s Nat/Cannonball Adderley collective that includes George Duke on piano, Carol Kaye on bass, and ... LP, Vinyl record album
A nice back to basics session from jazz singer Etta Jones – recorded with backing by a small combo that includes Houston Person on tenor – and done in the laidback style that always seems to bring out the best in her singing. Other players include Idris Muhammad, Jimmy Ponder, and ... LP, Vinyl record album
One of Mel's best non-Bethlehem albums, and a record that's as much a loving tribute to New York as any you'll ever buy! Kind of funny, too, because in Mel's California Suite, there's all this stuff about how lousy New York is – but by the time of this early 60s recording, Mel's clearly ... LP, Vinyl record album
(Blue label hi-fi stereo pressing with deep groove. Vinyl has a mark that clicks on "Out In The Cold Again". Cover has some wear and aging, yellowed clear tape holding the seams and spine, and is lightly bent at the edges.)LP, Vinyl record album
A killer, and one of three live sides that Hammond organ genius Brother Jack McDuff cut for Prestige during the 60s – a monster session of stretched-out jazzy grooves, with many fine little dancers, and a raw soulful feel throughout! The group's one of Jack's best – as Red Holloway's ... LP, Vinyl record album
Funky keyboards galore – and one of the greatest records ever from this legendary Brazilian jazz talent! The album follows nicely off Deodato's Prelude classic for CTI – and like that one, this set's built on long-flowing tunes that rise and fall with a wonderful sense of rhythm – ... LP, Vinyl record album
One of the few albums ever cut by singer Vi Velasco – and a great vocal follow-up to the Zoot Sims bossa albums on Colpix! Zoot plays tenor on this record too – mixing his solos with Vi's vocals in a style that's like the interplay between Stan Getz and Astrud Gilberto – with a ... LP, Vinyl record album