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(Stereo pressing. Cover has a trace of a price sticker and light wear.)
Very Good + (plus)
Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Sound library music, but not of the funky kind from Italy that everybody's been digging these days. Instead, this is fairly straight music designed to back commercials, and the music is kind of light, breezy, and jingley. Some tracks have some moog, and others are played by a small orchestra. ... LP, Vinyl record album
A beautifully trippy duo who work here mostly with electronics – but who use the instruments in very organic ways that are almost acoustic! There's an earthy, almost hippieish quality to the sounds on the set – music that belies the pair's placement in the pre-New Age instrumental ... LP, Vinyl record album
Features Sesac library material by Sylvan Schulman, Anita Kerr, Richard Maltby, Al Caiola, Richard Hayman, Elliot Lawrence, Dick Jacobs, Buddy Weed, The Jordanaires, Bianco, and Count Basie. LP, Vinyl record album
Alexander Scourby and Nancy Wickwire read pieces by William Cullen Bryant, Henry Wadsworth Longfellow, James Russell Lowell, John Greenleaf Whittier, Oliver Wendell Holmes, Edgar Allen Poe, Walt Whitman, and Emily Dickinson. LP, Vinyl record album