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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Great small combo work from Anita O'Day – done at a time when the singer had maybe faded from the American limelight a bit, but continued to do some really exceptional work for a variety of smaller labels! In fact, we might even say that Anita during this stretch was even hipper than before ... LP, Vinyl record album
This is the sort of work we love the most from Anita O'Day – not her big band years, or her tight 50s albums on Verve – but instead the intimate small club recordings that dominated her later career, which showcase a singer with more craft, more maturity than ever before! Anita had ... LP, Vinyl record album
One of the only two vocal jazz albums that the Blue Note label recorded back in the day – and a haunting batch of tracks from a young Sheila Jordan! The style here is quite different than that of Jordan's later, more experimental records – and this early session shows her as an ... LP, Vinyl record album
A great little collection of Nina's work for RCA during the late 60s – a mixture of mellower jazzy grooves, folksy soul, and some fuller-arranged styles handled by Sammy Lowe and Horace Ott. Nina's in fine form throughout – singing with a tone that matches the mood on any number – ... LP, Vinyl record album
A jazz vocal masterpiece from Sarah Vaughn – one of her greatest albums ever, and a record that raised the bar for countless vocal sessions in years to come! Sarah's working here in an intimate group arranged by Ernie Wilkins, and featuring some sublime solo work from Clifford Brown, Paul ... LP, Vinyl record album
How can we even begin to describe the genius of Lambert Hendricks and Ross? The group was a jazz vocal supergroup that merged three talents that had already made a big name in the bebop vocalese field – Dave Lambert, Jon Hendricks, and the lovely Annie Ross – and the project was an ... LP, Vinyl record album
One of Abbey Lincoln's earliest albums – an all star session recorded with backing by Kenny Dorham, Sonny Rollins, Wynton Kelly, Paul Chambers, and Max Roach! Abbey's still pretty straight at this point – singing a variety of wispy love songs and emotional tunes – but she's also ... LP, Vinyl record album
One of those album's you have to love – not only because it's extra dope, but because it's a slept on gem by one of hip hop's pioneers – one that keeps it real in a sense that seems lost so many years down the line! Raw beats and ultimately fairly simple, but charismatic rhymes that ... LP, Vinyl record album