Skip navigation
Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Master Of Puppets (180 gram pressing)

LP (Item 865267) Elektra/Blackened, 1986 — Condition: New Copy
(reissue)
❔
An unimpeachable metal masterpiece! Master Of Puppets is one of the rare cases when the critical and popular consensuses match right up and are both right on the money – there's just no arguing against this being considered one of the greatest, most influential, and surprisingly timeless metal albums of all time – and it built that reputation organically, fan by fan, without radio or music videos to hype it. All the more impressive for the few disarmingly quiet moments and borderline pretty instrumental passages before the heaviness comes walloping back in, this one is for the ages. All classic songs on this one: "Battery", "Master Of Puppets", "The Thing That Should Not Be", "Welcome Home (Sanitarium)", "Disposable Heroes", "Leper Messiah", "Orion" and "Damage, Inc.".  © 1996-2022, Dusty Groove, Inc.
(180 gram pressing on Metallica's own Blackened label – at a great price!)

There may be different interpretations or standards used to grade pre-owned vinyl record albums & CDs. These are the grades that we use and what they mean for items that are not new copies.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We only use the grade "Used CD" for non-new CDs. This all-encompassing grade was chosen it because we only buy and offer used CDs in the best possible condition.

When you purchase a used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use, but if there are significant details or defects we will describe the item's condition (just like we do with LPs), so look for notes on cutout marks, stickers, promo stamps or other details before ordering.

All of our used CDs are guaranteed to play without skipping or flaws. After you receive a used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly. If it does not, you can request a return for a full refund.


You might be interested


RCA/Parlophone, 1979. New Copy Gatefold
The brilliant consummation of Bowie's late 70s years in Berlin – a record that showed he could take the experiments in sound he was crafting with Brian Eno, and turn them back into the kind of creepily catchy rock tunes that first made him a legend! Eno's help on the record is still quite ... LP, Vinyl record album
RCA, 1977. New Copy (reissue)
The Thin White Duke turns to the east – and gets a whole new sound with help from Brian Eno! The album is an amazing departure from some of David Bowie's previous work – a set that's sparer, more spacious, and which is often instrumental – quite a statement, given Bowie's ... LP, Vinyl record album
Parlophone, 1975. New Copy (reissue)
A brilliant soul album! That's right, we said SOUL album! Bowie was at the height of his Ziggy Stardust fame when this one was recorded – a drastic left-turn in styles, forged during a point in his American tour when he could take a break, head to Philly, plug in at the Sigma Sound Studios, ... LP, Vinyl record album
Elektra, 1967. New Copy (reissue)
What can we say? This is one of the greatest albums of all time! The record's got a sound that's completely unique – as crack LA garage punk rock meets Hollywood baroque production, and the result is an amazing bit of loud guitar noise backed by strings and horns, all graced by the godlike ... LP, Vinyl record album
Parlophone, 1973. New Copy Gatefold (reissue)
One of our favorite David Bowie albums ever! Aladdin Sane was a real turning point for Bowie – recorded on the heels of the tremendously popular Ziggy Stardust album, but really pushing the boundaries past the more straight-ahead rock and glam of that record. Instead of just sitting on his ... LP, Vinyl record album
Sire, 1978. New Copy (reissue)
Early genius from the Talking Heads – a set that's got a much sparer sound than most of their later work, and a surprisingly groovy feel overall! The starkness of the group's debut is still very much in place – lots of tight interplay between bass and guitar – but the rhythms are ... LP, Vinyl record album
Elektra/Hollywood, 1975. New Copy Gatefold (reissue)
Maybe not the first album by Queen, but the record that really put them on the map – as the group create a wonderful sense of interplay between all the elements that make them so great – while also using the studio in ways the group had never dared before – taking their ... LP, Vinyl record album
Elektra/Music On Vinyl (Netherlands), 1967. New Copy Gatefold (reissue)
Easily one of our favorite albums by Tim Buckley – and a record that really opens up with some key jazzy touches! Buckley's still got his roots in folk here, and his vocals are yet to hit the extremes of Starsailor or Lorca – but there's also a new sense of inflection to the way he ... LP, Vinyl record album

Panal

Panal
IRT/Vampi Soul (Spain), 1973. New Copy (reissue)
A great little group from early 70s Chile – a scene we know very little about, but which we're ready to dig a lot more, given the strength of this set! Panal have a style that's partly psych, partly hard rock – kind of the blend that was coming out of the Peruvian scene in the early ... LP, Vinyl record album
Vertigo/Future Shock (Italy), 1970. New Copy Gatefold (reissue)
A cool classic from the early years of Vertigo Records – and a wonderful mixture of hard rock energy and jazzy flute – but all at a level that's very different than Jethro Tull or other flute-based groups of the time! Norman Barratt handles the guitar with lots of fuzzy depth – ... LP, Vinyl record album

Blues Creation

Demon & Eleven Children
Denon/Sony (Japan), 1971. New Copy Gatefold (reissue)
A mindblowing set from early 70s Japan – and a record that's every bit as sinister as you'd guess from its title! Blues Creation certainly started out with a blues influence in their music, but like some of the headier British groups of the moment, they've turned that love of guitar lines ... LP, Vinyl record album

Crosby Stills Nash & Young

Deja Vu (gold vinyl pressing)
Atlantic, 1970. New Copy Gatefold (reissue)
One of those records that was a classic from the moment it was first released – the legendary second effort from the trio of David Crosby, Stephen Stills, and Graham Nash – with added bonus of Neil Young in the mix, which gives the whole thing a current of darkness that's completely ... LP, Vinyl record album
 



⇑ Top