A classic album from this incredible Philly soul group! The Intruders were one of the first groups to work with the Gamble/Huff team – and their sides for the team from the 60s have an amazingly professional approach to harmony soul, never afraid to hit a good hook or go for a strong image to sell a song, yet still quite raw and honest in the vocal department, where things really matter. This record is one of two late albums they recorded once Gamble & Huff had gotten a bit more fame and a lot more money – and it's an interesting transition to the slicker Philly International mode of the 70s. The group made the transition wonderfully, though – and even though they're couched in tight MFSB orchestrations, the vocals shine through brilliantly, with a less-polished quality that's a welcome change from some of the other Philly groups of the time. The big cut on the album is the band's famous tribute to motherhood – the long groover "I'll Always Love My Mama", which has some of the sweetest lyrics you'll ever hear on a Philly soul album – and which is served up here in the extended version that features some great talking near the end! But most of the rest of the cuts are fantastic, too – like the group's wonderful version of Gil Scott-Heron's "Save the Children", and the great ballads "I Wanna Know Your Name" and "To Be Happy is the Real Thing". © 1996-2016, Dusty Groove, Inc.
We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.