Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Professor Bizarre's Funknology (180 gram pressing)

LP (Item 862447) Run Out Groove/Atco, Late 60s/Early 70s — Condition: New Copy
2LP Gatefold

A New Orleans funk fan's dream come true – a wonderfully cool album that not only brings together some of the funkiest tracks ever cut by Dr John, but one that also includes nearly a full record's worth of unreleased material too! The groove here is deep, down, and dirty – that imagined vision of New Orleans roots that Mac Rebbenack carved out for Atlantic Records starting in the 60s – which by the time of the 70s, had become as important a part of the sound of the Crescent City as most of the artists who had come before! This package captures Dr John at his creative peak – really taking off musically, verbally, and as an overall studio force – and titles include never-issued versions of "Go Ahead On", "Wash Mama Wash", "Look What You've Done", "Craney Crow", "Dr John", "Tipitina", "Quitters Never Win", and "Yip Aye" – plus the tracks "Jump Sturdy", "Loop Garoo", "Wang Dang Doodle", "Iko Iko", and "Such A Night (single edit)". Beautiful heavy vinyl and cover, limited pressing, and with inserts of notes too! (Numbered, limited edition 180 gram vinyl Run Out Groove pressing. Pressing number based on pre-release demand.)  © 1996-2018, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible. All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.

With our Used CDs, you can expect the disc to be free of all but the lightest of surface marks — clean, and not dirty at all. You can also expect the case to be clean (we often change the cases ourselves — putting fresh cases on Used CDs we handle) — and you can expect the booklet to be in good shape, unless noted otherwise. We will list any specific details/defects underneath the item — so look for notes on cutout marks in the case, stamps on the barcode, or details like that.


You might be interested


Atco, 1971. New Copy Gatefold (reissue)
Mac really steps out on this one – pushing past his usual hip studio take on New Orleans soul, to a more expansive style that includes performances by a host of surprise guests like Mick Jagger, Eric Clapton, PP Arnold, Graham Bond, and Doris Troy. That loping, trippy groove of John's is ... LP, Vinyl record album
Atlantic, 1967. New Copy
A great re-imagining of the final moments of the too-short career of the mighty Otis Redding – a set that puts together an album based around his huge posthumous hit "Dock Of The Bay" – and releases the album as if Otis hadn't died at the end of 1967! As is now legend, ... LP, Vinyl record album
Warner, 1980s/1990s/2000s. New Copy
The music of Prince lives on – in this beautiful collection that features a number of mixes that appear here on LP for the first time ever, and an unreleased track as well! The unreleased "Moonbeam Levels" may well be the prize here for longtime Prince completitsts – but the ... LP, Vinyl record album
Matt The Cat (with bonus tracks)
Out-Sider (Spain), 1978. New Copy (reissue)
A bit bolder than Matthew Cassell's first album – but still with all the best elements nicely in place! This self-released EP expands Cassell's sound a bit with the addition of backing vocals, tenor, trumpet, and cello – but the core sound still comes mostly from Matt's great vocals, ... LP, Vinyl record album
Fantasy, 1975. New Copy Gatefold (reissue)
A great little album of jazz funk – and the only record we've ever seen by this group! The 3 Pieces may not have lasted long in the record business, but this rare album from 1975 has made them legends on the rare groove scene for years. The record was cut during the height of the jazz funk ... LP, Vinyl record album
Guess/Everland (Austria), 1978. New Copy (reissue)
One of the great overlooked funk bands of the late 70s Virginia scene – a tight little combo with a warm style that's just right for the dancefloor! The VA groove of the time was a different take on the styles being used up north in Philly and New York – as the groups were often more ... LP, Vinyl record album
Pieces
Out-Sider (Spain), 1977. New Copy (reissue)
Very hip work from this Bay Area 70s singer – sweetly jazzy, and with a nice undercurrent of soul – one that's ripe for rediscovery! There's a wonderful mix of moods going on here – a quality that perfectly sums up the genre-trading aspect of the Bay Area scene back in the day ... LP, Vinyl record album
ALA/Modern Harmonic, 1976. New Copy Gatefold (reissue)
A fantastic album of bad-rapping spoken material from Iceberg Slim – one of the hippest 70s sets of its type, and a great audio tribute to the man who wrote the books Pimp, Trick Baby, and Mama Black Widow! Slim reads his own work in a very laidback style, but one with a slinky, pimpish feel ... LP, Vinyl record album
Now Again/Stones Throw, 1973. New Copy 2LP Gatefold (reissue)
Rare funk from the Indy scene of the early 70s – the long-overdue release of material recorded by a really hard-jamming, horn-heavy combo! Amnesty have a sound that's awash in the best large group influences of the time – a bit of Earth Wind & Fire, a bit of Parliament/Funkadelic, ... LP, Vinyl record album
RCA, 1972. New Copy (reissue)
Cold, hard, and funky! This might be the greatest album ever by this legendary 70s funk band – and it's got a killer sound that has the tightness of the JBs, the rawness of the early Meters, and the frenzy of a rare funky 45! Includes the incredible "Afro Strut" – worth the ... LP, Vinyl record album
Look-Ka Py Py
Josie, Late 60s. New Copy (reissue)
Seminal work from The Meters – and an album that's essential for just about any collection of old school funk! The record's a blueprint for grooves that have been copied for generations to come – yet nobody does it better than these Crescent City kings – working here with a sound ... LP, Vinyl record album
Roots
Curtom, 1971. New Copy Gatefold (reissue)
One of our favorite Curtis Mayfield albums ever – a massive early 70s effort that's filled with wonderful songs all the way through, and quite possibly one of the most perfect realization of the righteous vibe of the early 70s Curtom years! Curtis is in fine form throughout – as a ... LP, Vinyl record album
 



⇑ Top