Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Professor Bizarre's Funknology (180 gram pressing)

LP (Item 862447) Run Out Groove/Atco, Late 60s/Early 70s — Condition: New Copy
2LP Gatefold

A New Orleans funk fan's dream come true – a wonderfully cool album that not only brings together some of the funkiest tracks ever cut by Dr John, but one that also includes nearly a full record's worth of unreleased material too! The groove here is deep, down, and dirty – that imagined vision of New Orleans roots that Mac Rebbenack carved out for Atlantic Records starting in the 60s – which by the time of the 70s, had become as important a part of the sound of the Crescent City as most of the artists who had come before! This package captures Dr John at his creative peak – really taking off musically, verbally, and as an overall studio force – and titles include never-issued versions of "Go Ahead On", "Wash Mama Wash", "Look What You've Done", "Craney Crow", "Dr John", "Tipitina", "Quitters Never Win", and "Yip Aye" – plus the tracks "Jump Sturdy", "Loop Garoo", "Wang Dang Doodle", "Iko Iko", and "Such A Night (single edit)". Beautiful heavy vinyl and cover, limited pressing, and with inserts of notes too!  © 1996-2019, Dusty Groove, Inc.
(Numbered, limited edition 180 gram vinyl Run Out Groove pressing. Pressing number based on pre-release demand.)

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible. All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.

With our Used CDs, you can expect the disc to be free of all but the lightest of surface marks — clean, and not dirty at all. You can also expect the case to be clean (we often change the cases ourselves — putting fresh cases on Used CDs we handle) — and you can expect the booklet to be in good shape, unless noted otherwise. We will list any specific details/defects underneath the item — so look for notes on cutout marks in the case, stamps on the barcode, or details like that.


You might be interested


Atco/Jackpot, 1968. New Copy (reissue)
The great Dr John at his freaky deaky best – working here in a mindblowing mix of New Orleans roots and late 60s psych – all served up in some heady studio space and instrumental touches! The sound's unlike anything that ever went before – and is way better here than on some of ... LP, Vinyl record album
Atlantic, 1968. New Copy (reissue)
A killer collection of deep soul from the Atlantic Records catalog – including a few tunes that they'd snatched from Stax in the early days of the label! The package here is one that was issued for overseas markets in the 60s – partly as a calling card for the new genius of Atlantic, ... LP, Vinyl record album
Warner, 1983. New Copy LP & CD
A fantastic musical gift from beyond – early 80s recordings by Prince, and the sort of work that might have been a huge revelation if it were issued during his too-short career! As the title implies, the set just features the man himself at the piano – singing and playing with a very ... LP, Vinyl record album
Cotillion/Run Out Groove, 1969. New Copy (reissue)
An incredible bit of southern soul – and one of the few records ever by deep soul singer Lou Johnson! The masterpiece was recorded at the Fame Studios in Muscle Shoals, at a time when the outfit was at the height of its powers – capturing Lou with a sweet-burning style that matches (if ... LP, Vinyl record album
Atco/4 Men With Beards, 1970. New Copy Gatefold (reissue)
An excellent bit of raw funky southern soul from Johnny Jenkins – recorded in Macon, GA, and one of the last relics of the relations that Atlantic Records had with all of the little local scenes in the south! Ton-Ton Macoute is one of those records that manages to blend funk, blues, and ... LP, Vinyl record album
Come Back Charleston Blue (180 gram pressing)
Atco/Music On Vinyl (UK), 1972. New Copy (reissue)
An unusual album in the Atlantic career of Donny Hathaway – and a unique collaboration with the legendary Quincy Jones! The music here is Hathaway's sole entry into the blacksploitation soundtrack genre of the 70s – penned for film version of a Chester Himes novel, and scored in a mix ... LP, Vinyl record album
Motown, 1994. New Copy 2LP Gatefold (reissue)
A stone classic from Zhane – a duo who maybe never had the longest life in soul music, but who made a massive impact with this gem from the 90s! The record was part of a new urban generation that was grounded both in hip hop production and deeper soul modes – territory maybe opened up ... LP, Vinyl record album
Osmium
Invictus (UK), 1971. New Copy (reissue)
An insane bit of fuzzed-out funk! This is Parliament's rare first album – a trippy batch of tunes that come off of Clinton's experimentation in the Detroit soul scene, infused by the rock-heavy energy of the city at the time, and probably a heck of a lot of cannabis, too! The record is ... LP, Vinyl record album
Wasted
Tuff City/Funky Delicacies, Early 70s. New Copy
An essential bit of funkiness from this obscure New Orleans funk combo! The Gaturs' frontman was keyboardist Willie Tee – who went on to greater fame as a jazz and session player – but we like him best at this early point, when he was wailing away on organ in a tight choppy small group ... LP, Vinyl record album
Hi Records/Fat Possum, 1972. New Copy (reissue)
A damn great bit of work from the legendary Al Green – maybe one of his best records ever – and in fact, maybe one of greatest soul albums of all time! The set's got a style that's really genre-defining – not the previous southern soul of a few years before, but also not the ... LP, Vinyl record album
Pride/Mr Bongo (UK), 1973. New Copy (reissue)
A landmark album that is perhaps the single most influential beat source in hip hop! The record was the brainchild of bongo player Michael Viner – who also happened to be running the Pride subsidiary of MGM at the time. Viner's got a meeeeeean touch on the bongo, hitting it hard and funky ... LP, Vinyl record album
Now Again/Stones Throw, 1973. New Copy 2LP Gatefold (reissue)
Rare funk from the Indy scene of the early 70s – the long-overdue release of material recorded by a really hard-jamming, horn-heavy combo! Amnesty have a sound that's awash in the best large group influences of the time – a bit of Earth Wind & Fire, a bit of Parliament/Funkadelic, ... LP, Vinyl record album
 



⇑ Top