Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Habibi Funk – An Eclectic Selection Of Music From The Arab World

CD (Item 862230) Habibi Funk (Germany), 1970s/1980s — Condition: New Copy
Out Of Stock

CD

✈

Get ready to have your mind completely blown – because this compilation is one of those completely rare ear-opening experiences that will let you know that there's a hell of a lot of music in the world that you've never heard before – even if, like us, you've heard plenty of funky music over the years! The grooves here definitely live up to the title – as they're completely funky throughout, and in ways that are plenty appealing to fans of Anglo funk, but which have all the Mideast touches you'd expect in the instrumentation – a mad mix of east and west, sacred and secular, with the kind of completely unique vibe that will grab you like the first time you heard Ethiopian soul or Turkish rock! We'd honestly never heard most of this music before – and even though we've dug previous releases on the Habibi Funk label, this namesake set is the moment when they really knock it out of the park, and let us know that they're on to something completely brilliant. Comes with a great set of note, which help the uninitiated like us – and titles include "Casablanca Shuffle" by Belbao, "Wang Dang" by Bob Destiny, "Bsslama Hbibti" by Fadoul, "Sah" by Al Massrieen, "Soul Brother" by Dalton, "Al Asafir" by Kamal Keila, "Rouhi Ya Hafida" by Mallek Mohamed, "La Coladera" by Freh Khodja, "Tape 19.11" by Ahmed Malek, "Ayonha" by Hamid El Shaeri, and "Games" by Samir & Abboud.  © 1996-2020, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


Uzelli, Late 70s/Early 80s. New Copy
Amazing sounds from the Uzelli label – a collection of tunes that are heavy on the elektro saz, which is pictured on the cover – kind of a hybrid between an electric guitar and more traditional stringed instrument! The saz allowed a huge explosion of the kind of sounds that were first ... CD
Habibi Funk (UK), 1977. New Copy
A really mindblowing set of music from late 70s Lebanon – an ambitious blend of jazzy instrumentation, poetic vocals, and larger instrumental impulses – all with this soaring sort of energy that reminds us of some of the more complex Brazilian records of the 70s, or of some of our ... CD
Trikont/Sonorama (Germany), Late 70s/Early 80s. New Copy
Fantastic work from Kapingbdi – a group who hail from Liberia, but who recorded all of these tracks for a label in Germany – all at a level that makes for a wonderfully open, criss-crossing sort of sound! These tracks aren't cleaned up or polished world music for the post-colonial ... CD
Comb & Razor, Late 70s/Early 80s. New Copy
CD...$9.99 19.98
Nigerian funk & boogie numbers from the late 70s & early 80s – post Afrobeat and post disco material from the prosperous, post dictatorship years – funk, soul and disco infused stormers from Mixed Grill, Bayo Damnazio, The Stormmers, Joe Maks, Segun Robert, Martha Ulaeto, Honey ... CD
Now Again, Mid 70s. New Copy
Fantastic sounds for fans of funk and rock alike – music from the freaky, fuzzy 70s scene in Zambia – a place where styles effortlessly criss-crossed to really produce something new and unique! The work here is often heavy on fuzz guitars, but also has some wickedly soulful basslines ... CD
Now Again, Mid 70s. New Copy
The "nuggets" in the title is very well placed here – as all the cuts here have every bit as much freak and fuzz as the American garage and pre-punk work chronicled famously on the lengendary Nuggets series! Yet these tracks are all even more obscure, and all come from African ... CD
Strut (UK), 1970s/Early 80s. New Copy
Stunning sounds from the Disques Debs label in the 70s – a powerhouse imprint in the French Caribbean scene, and a company who were really coming into their own during the decade! The "cadence revolution" in the title is a reference both to the revolution in new musical sounds that ... CD
Numero, 1970s. New Copy 3 CDs
One of the most ambitious projects we've ever seen from Numero – and that's saying a lot, given some of their other releases! This package is equal parts cultural document and musical treasure trove – a heavy book full of photos from a time when Upper Volta was stepping past its ... CD
Heavenly Sweetness (France), 2019. New Copy
You might know Guts as a music producer, but he's also a hell of a DJ – one who gave us a really great assortment of tracks in his Beach Diggin series – and who spins the globe here with a whole different sort of groove! The tracks here are from a variety of global sources, from a ... CD
Sofrito/Heavenly Sweetness (France), Late 70s/1980s/Early 90s. New Copy
Some of the hippest sounds we've ever heard from Guadeloupe – served up by Erick Cosaque – a singer, percussionist, and key figure in the gwo-ka genre – yet an artist who works in a special space that's all his own! The tunes here definitely have the heavy percussion of gwo-ka, ... CD

Souljazz Orchestra

Chaos Theories
Strut, 2019. New Copy
Souljazz Orchestra have been giving us great music for well over a decade, but they also seem to be really refining their sound with this wonderful album – going for more instrumental complexity, and opening up in so many different sonic spectrums – while still holding onto the Afro ... CD

Rikki Ililonga & Musi O Tunya

Dark Sunrise (2CD set)
Now Again, Mid 70s. New Copy 2CD
CD...$9.99 18.98
An amazing set that documents the early years of the Zamrock scene – the funk and psych informed Afro Rock pioneered by vocalist and African guitar legend Rikki Ililonga and his group Musi-O-Tunya in Zambia from 1973 to 1976 – and compiled beautifully in this great set from Now ... CD
 



⇑ Top