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to be used for comparison purposes only.
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If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible. All of our Used CDs are guaranteed to play
without skipping or flaws. If you purchase a Used CD from Dusty Groove,
you have 1 week to play it to determine that it plays correctly — and if it does not,
then you may return it for a full refund.
With our Used CDs, you can expect the disc to be free of all but the lightest of
surface marks — clean, and not dirty at all. You can also expect the case to be
clean (we often change the cases ourselves — putting fresh cases on Used CDs we
handle) — and you can expect the booklet to be in good shape, unless noted
otherwise. We will list any specific details/defects underneath the item — so
look for notes on cutout marks in the case, stamps on the barcode, or details like that.
One of the few albums ever cut by reedman Dave Hubbard – a player who's probably best known for his soaring work with Lonnie Liston Smith in the 70s – but who steps out here with a very fresh voice of his own! At some level, the album's an update of the soul jazz style that Prestige ... CD
Wild – but pretty darn wonderful stuff! Dizzy's recording here in one of his sparest settings ever – blowing trumpet with accompaniment from the duo of Willie Ruff, bass and French horn, and Dwike Mitchell, piano – working in a mode that's really cool, really stripped down, and ... CD
Forget the "hard mother blues" of the title – and think "funky big band grooves", because that's what the album's all about! Ernie really steps out on this one – sounding a lot funkier and more soulful than on some of his 60s outings – and working with a mix ... CD
A tight little set that's never too wild – given the sharpness that trumpeter Maynard Ferguson can bring to the way he arranges a group! The album's one from a lost point between the two bigger recording moments of Ferguson's career, and has a sound that steps off nicely from his Roulette ... CD
A classic by Big John Patton! The master organ player is joined by Grant Green on guitar, and the much-overlooked drummer Hugh Walker – a fantastic player on the kit, little known, but who played with this incredible "skipping" groove – one that sounds that reminds us a lot ... CD
Wynton Marsalis is working in lean quartet formation here – no sax from brother Branford, whose own star was rising – and instead lots more room to really stretch out on his own languid lines on trumpet! The rest of the quartet features Marcus Roberts on piano, Robert Hurst on bass, ... CD
A very hip record of vocal tracks – done in the same sort of spiritual soul style that Les introduced on Roberta Flack's first album, and which was also showing up on some of Donny Hathaway's work for Atlantic. While the record is not on of McCann's funkiest, it more than makes up for that ... CD
Excellent work from a group that features McCoy Tyner on piano, Cecil McBee on bass, and Roy Haynes on drums – plus either Pharoah Sanders or David Murray on tenor! Versions of "Naima", "The Promise", "Lazy Bird", "Last Of The Hipmen", and "Bluesin ... CD
The tune "Poinciana" must have been written by Jamal – as the lyrical flowing style of the song is perfect for his deeply soulful piano style. It wasn't, though – although this recording of the tune has made it one of the biggest in Jamal's book from the time, a perpetual ... CD